On 16 September, Ensemble Intercontemporain directed by Matthias Pintscher presents the world premiere of Toshio Hosokawa’s The Flood at the Philharmonie de Paris. The work, which has been jointly commissioned by the ensemble and the Ojai Music Festival in California, was originally scheduled to premiere at the festival in June.
Toshio Hosokawa’s new piece, Texture for octet will be premiered at the Digital Concert Hall by the Berlin Philharmonic Orchestra on June 6th. The first performer is the Philharmonic Octet Berlin.
Texture was co-commissioned by the Berliner Philharmoniker Foundation and the Japan Arts Corporation for the Philharmonic Octet Berlin, and is dedicated to the ensemble. The instrumentation of octet is the same as Octet D803 by Franz Schubert which is the ensemble’s specialty; clarinet, bassoon, horn, violin 2, viola, violoncello and double bass.
The instrumentation is divided into the following 2 groups; a group consisting of a string quartet and another consisting of clarinet, bassoon, horn and double bass. Each group plays melodies with a lively calligraphy-like shape, an unforced linear of the Eastern brushstrokes which is one of the characteristics of Hosokawa’s music. In this piece, like the Yin and Yang of the East, just as polar opposite elements, such as man and woman, high and low, strength and weakness, light and dark coexist and complete each other – become tied together without defeating the other, whilst gradually shaping the sound of the universe.
June 6, 2020, 19:00 Philharmonie Berlin (Berlin, Germany)
June 7, 2020, 13:00 Philharmonie Berlin (Berlin, Germany) Broadcast from Digital Concert Hall by Berlin Philharmonic Orchestra
Philharmonic Octet Berlin (Wenzel Fuchs [clarinet], Mor Biron [bassoon], Stefan Dohr [horn], Daishin Kashimoto, Romano Tommasini [violin], Amihai Grosz [viola], Christoph Igelbrink [cello], Esko Laine [double bass])
+++ After the following story was published, we learned that the concert and live-streaming had to be cancelled as well. +++
On 11 April, the NHK Symphony Orchestra will perform Toshio Hosokawa’s Meditation to the victims of Tsunami (3.11) as part of a livestream concert conducted by Masaru Kumakura. The concert has been organised to replace the orchestra’s scheduled public performance in response to ongoing restrictions of COVID-19. Continue reading “Work of the Week – Toshio Hosokawa: Meditation to the victims of Tsunami (3.11)”
Toshio Hosokawa’s music straddles two cultures, with influences from traditional Japanese music and the world of European art music. This is evident in his new chamber opera, Futari Shizuka (The Two Shizukas), which will be premiered on 1 December at the Autumn Festival in Paris by Ensemble Intercontemporain with conductor Matthias Pintscher, soprano Kerstin Avemo and Nô performer Ryoko Aoki.
Exactly 50 years ago in the autumn of 1966, the Schott publishing house launched a customer magazine presenting new works and products. The ‘Schott-Kurier’ consisted of four pages printed in black and white and was written in German, and therefore only distributed within Germany. Nowadays, our customer magazine has long been bilingual and involves a collaboration of our editors across the world in Mainz, London, Tokyo and New York. The journal is sent to musicians and programmers in over 50 countries and its 20 to 24 pages are devoted not only to new publications and premieres, but also to particularly fascinating works from our back catalogue, united under specific themes.
Schott Journal – News for Music Makers
Today you have received our first magazine with a new look. We have overhauled our layout, restructured our topics and created a special column for children’s music in concert and onstage entitled ‘Children’s Corner’. ‘Schott aktuell’ has been renamed Schott Journal – News for Music Makers. Our goal is to provide even better, more clearly organized and more interesting information on the latest news from Schott.
This first issue is devoted to major choral symphonic works, prompted by a series of premieres of compositions by Pēteris Vasks, Stefan Heucke and our American composer Hannah Lash. fortunately, choral singing is again growing in popularity. In this issue, we hope you make great discoveries of new works, particularly if you are looking for more substantial, large-scale choral symphonies.
World Premieres by:
Pēteris Vasks, Pierre Jalbert, Hannah Lash, Peter Eötvös, Toshio Hosokawa, Alexander Goehr, Richard Wagner, Stefan Heucke, and Enjott Schneider
Forst nights of works by:
Douglas J. Cuomo, E.T.A. Hoffmann, Richard Wagner, Richard Strauss, Viktor Ullmann, Engelbert Humperdinck, Erich Wolfgang Korngold, Jacques Offenbach, Modest Mussorgskij, Harry Partch, Eberhard Streul, Wilfried Hiller, Nino Rota, Carl Orff, Toshio Hosokawa, György Ligeti, and Paul Lincke
Aribert Reimann, Luigi Nono, Howard Shore, Gustav Mahler/Yoel Gamzou, Chaya Czernowin