On 16 September, Ensemble Intercontemporain directed by Matthias Pintscher presents the world premiere of Toshio Hosokawa’s The Flood at the Philharmonie de Paris. The work, which has been jointly commissioned by the ensemble and the Ojai Music Festival in California, was originally scheduled to premiere at the festival in June.
The Seven Deadly Sins (Die sieben Todsünden) is one of Kurt Weill’s best-known and most frequently performed works. On 21 September, a new orchestration of the ballet chanté for 15 players will receive its premiere at Beethovenfest Bonn with Ensemble Modern and soloist Sarah Maria Sun conducted by HK Gruber. The new version has been created by Gruber and Christian Muthspiel in collaboration with the Kurt Weill Foundation and Schott Music.
Toshio Hosokawa’s music straddles two cultures, with influences from traditional Japanese music and the world of European art music. This is evident in his new chamber opera, Futari Shizuka (The Two Shizukas), which will be premiered on 1 December at the Autumn Festival in Paris by Ensemble Intercontemporain with conductor Matthias Pintscher, soprano Kerstin Avemo and Nô performer Ryoko Aoki.
Jörg Widmann’s Au cœur de Paris (“In the heart of Paris”) was written in celebration of Orchestre de Paris’ 50th anniversary. The piece will be premiered on 1 November at the Philharmonie in Paris with Daniel Harding. The concert will also feature Widmann, who is their Artist in Residence, performing his Fantasie for solo clarinet.
On 1 October, Peter Eötvös’ new work The Sirens Cycle (2015-2016) for string quartet and coloratura soprano will be premiered at London’s Wigmore Hall by Piia Komsi and the Calder Quartet.