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2021/08/11

Work of the Week – Luigi Nono: Intolleranza

A full year after the originally scheduled date, Salzburg Festival is presenting a new production of Intolleranza by Luigi Nono on 15 August. Directed by Jan Lauwers,  Sean Panikkar and Sarah Maria Sun will take the leading roles as ‘the emigrante’ and his fellow. In the pit, Vienna Philharmonic will be conducted by Ingo Metzmacher.

Intolleranza, composed in 1960/1961 is Luigi Nono’s first work for the stage. Its Italian description as Azione scenica underlines its renunciation of a narrative form of music theatre – the libretto has no coherent plot. Nono instead employs poems and documentary texts such as political interrogations and news headlines which are interwoven into the action as periodical highlights. Influences from Brechtian theatre are clearly recognisable, for example the audience becomes actively involved in what is happening on stage and is confronted by a question: under what conditions and against what political opposition is it possible to be consciously humane?

In eleven scenes, Nono describes the journey of the protagonist ‘emigrante’ on the way to his new homeland, making reference to contemporary and past historical events. The emigrante experiences a demonstration for peace, political interrogation and torture. Intolleranza is a politicalethical plea against violence, intolerance, discrimination and racism and has lost none of its relevance 50 years after its composition.

‘You, who shall resurface following the flood / in which we have perished, / remember / also the dark time / that you have escaped.’ (from the libretto)

After the opera was called Intolleranza 1960 at its world premiere, it has become common to add the current year to the work title. Wuppertal Opera is currently presenting a series of streamings, entitled Intolleranza 2021. The upcoming season will also see a number of stage performences with audience at Wuppertal.

 

 

2016/09/01

Schott Journal: New Look of the Customer Magazine

Exactly 50 years ago in the autumn of 1966, the Schott publishing house launched a customer magazine presenting new works and products. The ‘Schott-Kurier’ consisted of four pages printed in black and white and was written in German, and therefore only distributed within Germany. Nowadays, our customer magazine has long been bilingual and involves a collaboration of our editors across the world in Mainz, London, Tokyo and New York. The journal is sent to musicians and programmers in over 50 countries and its 20 to 24 pages are devoted not only to new publications and premieres, but also to particularly fascinating works from our back catalogue, united under specific themes.

Schott Journal – News for Music Makers

Today you have received our first magazine with a new look. We have overhauled our layout, restructured our topics and created a special column for children’s music in concert and onstage entitled ‘Children’s Corner’. ‘Schott aktuell’ has been renamed Schott Journal – News for Music Makers. Our goal is to provide even better, more clearly organized and more interesting information on the latest news from Schott.

Vorstellung des neuen "Schott Kurier" im Sommer 1966
Ancestor of the new Schott Journal: Introduction of the “Schott Kurier” in 1966

This first issue is devoted to major choral symphonic works, prompted by a series of premieres of compositions by Pēteris Vasks, Stefan Heucke and our American composer Hannah Lash. fortunately, choral singing is again growing in popularity. In this issue, we hope you make great discoveries of new works, particularly if you are looking for more substantial, large-scale choral symphonies.

World Premieres by:

Pēteris Vasks, Pierre Jalbert, Hannah Lash, Peter Eötvös, Toshio Hosokawa, Alexander Goehr, Richard Wagner, Stefan Heucke, and Enjott Schneider

Forst nights of works by:

Douglas J. Cuomo, E.T.A. Hoffmann, Richard Wagner, Richard Strauss, Viktor Ullmann, Engelbert Humperdinck, Erich Wolfgang Korngold, Jacques Offenbach, Modest Mussorgskij, Harry Partch, Eberhard Streul, Wilfried Hiller, Nino Rota, Carl Orff, Toshio Hosokawa, György Ligeti, and Paul Lincke

Further Spotlights:

Aribert Reimann, Luigi Nono, Howard Shore, Gustav Mahler/Yoel Gamzou, Chaya Czernowin