On 16 September, Ensemble Intercontemporain directed by Matthias Pintscher presents the world premiere of Toshio Hosokawa’s The Flood at the Philharmonie de Paris. The work, which has been jointly commissioned by the ensemble and the Ojai Music Festival in California, was originally scheduled to premiere at the festival in June.
On 26 August, Arcade, a new 20-minute orchestral work by Akiko Yamane will receive its world premiere at Suntory Hall, Tokyo. The concert, which is part of the 2020 Suntory Summer Festival will be given by the Yomiuri Nippon Symphony Orchestra, conducted by Yoichi Sugiyama.
Yamane describes Arcade as drawing on the idea of drone music that programmatically expresses a consumerist society where the needs and desires of the people are seemingly under control. Below the surface, however, their internal desires and contradictions become apparent. Arcade has been commissioned by the Suntory Arts Foundation.
Akiko Yamane – Arcade: State of uncertainty within a fragile society
I seek to depict this idea with a quality of sound that a person can feel on their skin. The sound fluctuates according to subtle changes within the listener’s body, or in accordance with a particular place or space and so on. In this piece, I stop and turn my attention to the various layers of sound and focus on their essence. Akiko Yamane
Photos: Adobe Stock / topntp, Coco
Toshio Hosokawa’s new piece, Texture for octet will be premiered at the Digital Concert Hall by the Berlin Philharmonic Orchestra on June 6th. The first performer is the Philharmonic Octet Berlin.
Texture was co-commissioned by the Berliner Philharmoniker Foundation and the Japan Arts Corporation for the Philharmonic Octet Berlin, and is dedicated to the ensemble. The instrumentation of octet is the same as Octet D803 by Franz Schubert which is the ensemble’s specialty; clarinet, bassoon, horn, violin 2, viola, violoncello and double bass.
The instrumentation is divided into the following 2 groups; a group consisting of a string quartet and another consisting of clarinet, bassoon, horn and double bass. Each group plays melodies with a lively calligraphy-like shape, an unforced linear of the Eastern brushstrokes which is one of the characteristics of Hosokawa’s music. In this piece, like the Yin and Yang of the East, just as polar opposite elements, such as man and woman, high and low, strength and weakness, light and dark coexist and complete each other – become tied together without defeating the other, whilst gradually shaping the sound of the universe.
June 6, 2020, 19:00 Philharmonie Berlin (Berlin, Germany)
June 7, 2020, 13:00 Philharmonie Berlin (Berlin, Germany) Broadcast from Digital Concert Hall by Berlin Philharmonic Orchestra
Philharmonic Octet Berlin (Wenzel Fuchs [clarinet], Mor Biron [bassoon], Stefan Dohr [horn], Daishin Kashimoto, Romano Tommasini [violin], Amihai Grosz [viola], Christoph Igelbrink [cello], Esko Laine [double bass])
+++ After the following story was published, we learned that the concert and live-streaming had to be cancelled as well. +++
On 11 April, the NHK Symphony Orchestra will perform Toshio Hosokawa’s Meditation to the victims of Tsunami (3.11) as part of a livestream concert conducted by Masaru Kumakura. The concert has been organised to replace the orchestra’s scheduled public performance in response to ongoing restrictions of COVID-19. Continue reading “Work of the Week – Toshio Hosokawa: Meditation to the victims of Tsunami (3.11)”