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2020/03/23

Work of the Week – Hans Werner Henze: The Bassarids

With almost every opera house and concert hall around the world closed, we focus this week on a recent production of Hans Werner Henze´s opera The Bassarids, currently available for free on the online platform OperaVision. Reviews of Barrie Kosky´s staging and Vladimir Jurowski´s musical direction were splendid so this is a fantastic opportunity to explore the depths of this opera, considered a pinnacle of not only Henze´s dramatic output but of the entire mid-century classicism in opera.

The libretto for The Bassarids, written by W. H. Auden and Chester Kallman, is based on Euripides’ Bacchae; it tells the story of Pentheus, the new ruler of Thebes, banning the cult of Dionysus before being unwittingly drawn into the revelry by Dionysus himself, disguised as a stranger. Pentheus is eventually killed by his own mother, who has mistaken him for a wild animal, before Dionysus reveals his true identity and demands adoration from the Thebans for his revenge against the tyrant. The one-act opera’s large instrumentation and sophisticated libretto make The Bassarids an ambitious project. With Dionysus and Pentheus embodying two extremes of human existence, there is great potential for reference to the present day.

Today I consider The Bassarids, which I now understand to a far greater degree and hold much dearer than when I was composing the work, to be my most important music theatre work. It is […] still relevant for us, but specifically addresses questions associated with the years around 1968: what is freedom and what is bondage? What is repression, what is revolt and what is revolution? This is all in fact demonstrated, insinuated and suggested by Euripides. The multiplicity and richness of relationships, the tangible sensual relationships between the ancient civilisation of this Archaic period and our time are captured in Auden’s text; Euripides is transposed into our time in a manner which could not have been better achieved with the best possible stage production of the original Greek play, as we are constantly reminded of our distance from a different, long-gone civilisation. – Hans Werner Henze

The video will be available to stream on demand until 13 April and a final performance of the Komische Oper Berlin production is scheduled for 26 June.

photo: © Komische Oper Berlin / Monika Rittershaus

2017/11/20

Work of the Week – Richard Wagner: Wesendonck-Lieder

Although known predominantly for his operas, Richard Wagner’s oeuvre includes many orchestral and chamber works. Among these is Wesendonck-Lieder for voice and piano, which will be performed this week in the version orchestrated by Felix Mottl in Luxembourg and in the arrangement for ensemble by Hans Werner Henze in the UK, Switzerland and Germany. Continue reading “Work of the Week – Richard Wagner: Wesendonck-Lieder”

2016/06/30

Hans Werner Henze: 90th Birthday on 1 July 2016

Obituaries were published in more than twenty countries following the death of Hans Werner Henze in October 2012 in Dresden: an overwhelming universal expression of the international recognition of his creative works. Henze’s collegiate presence at rehearsals and premieres, and his gratitude towards the performers of his compositions have been sorely missed since.
Continue reading “Hans Werner Henze: 90th Birthday on 1 July 2016”

2016/06/27

Work of the Week – Hans Werner Henze: Elegy for Young Lovers

On 2 July, a production of Henze’s opera Elegy for Young Lovers will be staged by the Armel Opera Competition and the Liszt Academy in celebration of what would have been Henze’s 90th birthday on 1 July. The production will be directed by András Almási-Tóth with the Pannon Philharmonic conducted by Gergely Vajda at the Thália Theatre, Budapest.

Continue reading “Work of the Week – Hans Werner Henze: Elegy for Young Lovers”