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World Premiere of Toshio Hosokawa “Texture” at the Digital Concert Hall by Berlin Philharmonic

Toshio Hosokawa’s new piece, Texture for octet will be premiered at the Digital Concert Hall by the Berlin Philharmonic Orchestra on June 6th. The first performer is the Philharmonic Octet Berlin.

Texture was co-commissioned by the Berliner Philharmoniker Foundation and the Japan Arts Corporation for the Philharmonic Octet Berlin, and is dedicated to the ensemble. The instrumentation of octet is the same as Octet D803 by Franz Schubert which is the ensemble’s specialty; clarinet, bassoon, horn, violin 2, viola, violoncello and double bass.

The instrumentation is divided into the following 2 groups; a group consisting of a string quartet and another consisting of clarinet, bassoon, horn and double bass. Each group plays melodies with a lively calligraphy-like shape, an unforced linear of the Eastern brushstrokes which is one of the characteristics of Hosokawa’s music. In this piece, like the Yin and Yang of the East, just as polar opposite elements, such as man and woman, high and low, strength and weakness, light and dark coexist and complete each other – become tied together without defeating the other, whilst gradually shaping the sound of the universe.

Toshio Hosokawa
Texture (2020)
for octet

World Premiere

June 6, 2020, 19:00  Philharmonie Berlin (Berlin, Germany)
June 7, 2020, 13:00  Philharmonie Berlin (Berlin, Germany) Broadcast from Digital Concert Hall by Berlin Philharmonic Orchestra
Philharmonic Octet Berlin (Wenzel Fuchs [clarinet], Mor Biron [bassoon], Stefan Dohr [horn], Daishin Kashimoto, Romano Tommasini [violin], Amihai Grosz [viola], Christoph Igelbrink [cello], Esko Laine [double bass])


Work of the Week – Richard Wagner: Wesendonck-Lieder

Although known predominantly for his operas, Richard Wagner’s oeuvre includes many orchestral and chamber works. Among these is Wesendonck-Lieder for voice and piano, which will be performed this week in the version orchestrated by Felix Mottl in Luxembourg and in the arrangement for ensemble by Hans Werner Henze in the UK, Switzerland and Germany. Continue reading “Work of the Week – Richard Wagner: Wesendonck-Lieder”


Work of the Week: Karl Amadeus Hartmann – Simplicius Simplicissimus

On 11 November, Karl Amadeus Hartmann’s 1930s opera Simplicius Simplicissimus will be given its UK premiere at the Sadler’s Wells Theatre in London. The Independent Opera production, directed by Polly Graham with Timothy Redmond conducting the Britten Sinfonia, will use a new English translation by David Poutney. Continue reading “Work of the Week: Karl Amadeus Hartmann – Simplicius Simplicissimus”