On 16 September, Ensemble Intercontemporain directed by Matthias Pintscher presents the world premiere of Toshio Hosokawa’s The Flood at the Philharmonie de Paris. The work, which has been jointly commissioned by the ensemble and the Ojai Music Festival in California, was originally scheduled to premiere at the festival in June.
Through the myriad compositional styles György Ligeti explored between the 1940s and the 2000s, the composer’s strict focus on form and instrumentation always remained at the forefront of his work. Among the best examples of this is undoubtedly his Kammerkonzert (Chamber Concerto) from the middle period of his output. Exactly 50 years ago, on 5 April 1970, Friedrich Cerha and his ensemble ‘die reihe’ premiered the first two movements of this work in Baltimore. The third movement followed shortly after, premiering that May in Vienna, and the concerto’s final movement was first performed the following October in Berlin.
The scoring of Kammerkonzert for thirteen players sits at the midpoint between chamber music and a more symphonic texture. The work is highly varied, encompassing passages of extreme density and contrasting sections where individual instruments emerge from the ensemble with exposed melodic lines reminiscent of Schoenberg and Berg’s expressive twelve-note writing, or of virtuosic cadenzas.
György Ligeti – Kammerkonzert: from failure to standard repertoire
The four-movement work is a concerto in the sense that all 13 players are equal and have virtuoso solo tasks. Rather than frequent changes between soli and tutti, there is constant concerto-like cooperation. The parts always flow simultaneously but use different rhythmic configurations and tempi. […] The world premiere of the completed Chamber Concerto in 1970 was a complete failure. Critics wrote that this work massively fell behind my second string quartet, its predecessor. However, as time went by, more and more ensembles performed it multiple times. Nowadays, it is a standard repertoire work because its instrumentation is very fitting for groups like the Asko ensemble. All these things are impossible to anticipate for a composer. – György Ligeti
In advance of Ligeti’s centenary on 28 May 2023, we invite you to explore his music further. We’ve created an extensive playlist with detailed insights exploring Ligeti’s work – follow the link below to find out more.