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2020/05/11

Work of the Week – Nikolai Rimsky-Korsakov: The Legend of the Invisible City of Kitezh and the Maiden Fevroniya

Nikolai Rimsky-Korsakov’s penultimate dramatic composition was as ambitious as its exceedingly long title suggests. From 15 May, Dutch National Opera Amsterdam’s production of The Legend of the Invisible City of Kitezh and the Maiden Fevroniya, conducted by Marc Albrecht, will be available to watch on OperaVision. Director Dmitri Tcherniakov, who was also the stage designer for the production, created a visual language that is both realistic yet magical, and which was highly acclaimed by the international press. 

The four-act opera is set in the mythical city of Kitezh and is likely to be inspired by a thirteenth century duchy at the Volga River. Legend has it the city disappeared while under siege by enemy forces. Rimsky-Korsakov combined this Russian version of the Atlantis myth with a retelling of the invasion of the Mongol army  during the thirteenth century.

Nikolai Rimsky-Korsakov: The Legend of the Invisible City of Kitezh and the Maiden Fevroniya – “A Russian Atlantis”

This war is the backdrop for a love story between the virtuous farmer’s daughter Fevroniya and the Duke of Vsevolod. Their marriage is prevented by the assault of the enemies during which Vsevolod is killed. In her grief, Fevroniya prays for help for the people of Kitezh and a golden fog surrounds the city rendering it invisible to the invaders. Ultimately, Fevroniya also dies but the spirit of her fiancé brings her back to the hidden city where the opera culminates in a Wagnerian ascension of the loving couple. 

Prior to the opera’s premiere, Rimsky-Korsakov faced his own personal Kitezh when in 1905, as riots against the Tsar spread throughout Russia, he supported protesting students and was suspended from his professorship. Only when public opinion shifted in his favor and he was reinstated could the first production of The Legend of the Invisible City of Kitezh and the Maiden Fevroniya find its way to the stage. 

Marc Albrecht, conducting the ambitious and beautifully sounding Nederlands Philharmonisch Orkest, was not only able to form an arc of tension over three long and unshortened acts  of the masterfully crafted score. He also miraculously balanced the epic inner act and the lyric framing acts in a way that the action on the stage and in the pit came to perfect harmony. The production, subsequently to be shown in Paris, Barcelona and Milan is an ambassador for the huge masterwork by Rimsky-Korsakov which hopefully leads to a general revival of his operas. – Uwe Schweikert (review in ‘Opernwelt’)

The production, which is also available on DVD and Blu-ray, will be available to stream on OperaVision until August. The performance material is available from M.P. Belaieff publishers, exclusively distributed by Schott Music. 

photo: Dutch National Opera / Monika Rittershaus

2019/09/23

Work of the Week – Olli Mustonen: Taivaanvalot

Olli Mustonen, photo: Heikki Tuuli

A symphony for only three performers is an unusual challenge for a composer to set himself. This is, however, exactly what Olli Mustonen has done in his recent work for tenor, cello and piano, Taivanvaalot, which receives its world premiere on 26 September at the Musiekgebouw, Amsterdam performed by Ian Bostridge (tenor), Steven Isserlis (cello) and Olli Mustonen (piano).

Continue reading “Work of the Week – Olli Mustonen: Taivaanvalot”

2017/12/11

Work of the Week: Aribert Reimann – Die schönen Augen der Frühlingsnacht

 

With its images of spring and renewal, Aribert Reimann’s new song cycle for voice and string quartet will keep the cold at bay this winter. Die schönen Augen der Frühlingsnacht was written for soprano Moja Erdmann and the Kuss Quartett who will give the world premiere on 14 December at the Muziekgebouw in Amsterdam. Continue reading “Work of the Week: Aribert Reimann – Die schönen Augen der Frühlingsnacht”

2016/10/04

Work of the Week – Harry Partch: Delusion of the Fury

Partch: Delusion of the fury - Musikfabrik Ruhrtriennale 2013

In 2013 the Ruhrtriennale Festival of the Arts set in motion a renaissance of Harry Partch’s music when Ensemble Musikfabrik presented his theatrical work Delusion of the Fury.  The ensemble have subsequently performed the work in Oslo, Geneva, Amsterdam, Edinburgh, New York and Paris, and now they will take the work to Taichung, Taiwan where it will receive its Asian premiere on 7 October 2016, followed by a second performance on 8 October. Continue reading “Work of the Week – Harry Partch: Delusion of the Fury”