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Winter Songs Version III: Roots
for seven instrumentalists, sampler player, three amplified percussionists and IRCAM electronics
7 instruments, 3 percussionists, Sampler Player and Ircam-electronics
Edition: Performance material
Product Details
Description
Winter songs is comprised of an instrumental Septet of very low instruments. The piece has three versions each version can be played independentely: Winter songs version I: Pending light; Winter songs version II: Stones; Winter songs version III: Roots. In each of these versions the instrumental septet remain identical, with only minor temporal modifications.
In Winter songs I: Pending light, there is a recorded layer (of organic noises, stones, bowed ropes, rice or beans rain on papers etc), which is at first infused with the instrumental layer and then becomes an contrasting independent piece. The electronics for this part were done at IRCAM, with Eric Daubresse.
Winter songs II: Stones, is written for the septet and three amplified percussionists, no electronics outside the amplification. The percussion create a very low and slow counterpoint-piece to the instrumental septet, a counterpoint which does not syncronize completely with the septet.
Winter songs III: Roots, combines winter songs I and II with minor modification, to be a third piece.
The whole cycle reflects on the aspect of winter which has to do with one being pulled into the cave of one's interior, into the passivity of long sleep. At the same time, underneath, in the earth, the roots of vitality slowly solidify and start to blindly search for a way between the stones. The composing of this piece took place mostely in the Fall and Winter 03/04, in a period following the passing of a close friend, Mark Osborn, a composer, 33 years old.
The composer would like to express her deep gratitude to Eric Daubresse, who colloborated with her in this piece, for his thought, creativity, support, and especialy for the hospital sound he created in the end of the second movement. Winter songs, version I: Pending light is dedicated to Claus-Steffen Mahnkopf. Chaya Czernowin
In Winter songs I: Pending light, there is a recorded layer (of organic noises, stones, bowed ropes, rice or beans rain on papers etc), which is at first infused with the instrumental layer and then becomes an contrasting independent piece. The electronics for this part were done at IRCAM, with Eric Daubresse.
Winter songs II: Stones, is written for the septet and three amplified percussionists, no electronics outside the amplification. The percussion create a very low and slow counterpoint-piece to the instrumental septet, a counterpoint which does not syncronize completely with the septet.
Winter songs III: Roots, combines winter songs I and II with minor modification, to be a third piece.
The whole cycle reflects on the aspect of winter which has to do with one being pulled into the cave of one's interior, into the passivity of long sleep. At the same time, underneath, in the earth, the roots of vitality slowly solidify and start to blindly search for a way between the stones. The composing of this piece took place mostely in the Fall and Winter 03/04, in a period following the passing of a close friend, Mark Osborn, a composer, 33 years old.
The composer would like to express her deep gratitude to Eric Daubresse, who colloborated with her in this piece, for his thought, creativity, support, and especialy for the hospital sound he created in the end of the second movement. Winter songs, version I: Pending light is dedicated to Claus-Steffen Mahnkopf. Chaya Czernowin
Orchestral Cast
Bassfl. (verstärkt) · Bassklar. - Basspos. · Tb. - S. (verstärkt) (I: 2 P. · Vibr. · Crot. · Almgl. · gr. Felltr. · Sandpapier · Ratsche · Ocean Drum · Cabaça · Steine · gr. Büchse · Plastik- oder Holzkasten; II: 2 P. · Marimba · Almgl. · Beck. · gr. Felltr. · Sandpapier · Ocean Drum · 2 gr. Mar. · Cabaça · Haarbürste · Steine · m. Büchse · Plastik- oder Holzkasten · trockene Linsen; III: Marimba (von II) · Crot. · Almgl. · kl. Beck. · gr. Tr. · gr. Tomt. · Ratsche · 2 gr. Mar. · 2 kl. Mar. · Ocean Drum · Cabaça · Steine · kl. Büchse · Plastik- oder Holzkasten · Haarbürste) (3 Spieler) - Va. · Vc. · Kb.
More Information
Title:
Winter Songs Version III: Roots
for seven instrumentalists, sampler player, three amplified percussionists and IRCAM electronics
Edition:
Performance material
Publisher/Label:
Schott Music
Year of composition:
2003
Duration:
18 ′
World Premiere:
May 19, 2004 · Dresden (D)
Conductor: Titus Engel · ensemble courage
Conductor: Titus Engel · ensemble courage
Commissioned work :
Commissioned by the Ernst von Siemens Musikstiftung
Technical Details
Product number:
LS 5002-03
Performances
Winter Songs Version III: Roots
Conductor: Michael Lewanski
Orchestra: Ensemble 20+ of the DePaul University
March 14, 2019 |
Chicago, IL (United States of America) , Mary Patricia Ganon Concert Hall
19:00
Winter Songs Version III: Roots
April 15, 2011 |
New York, NY (United States of America) , Miller Theater
Winter Songs Version III: Roots
Conductor: Stefan Schreiber
May 19, 2010 |
Stuttgart (Germany) , Liederhalle, Mozart-Saal
19.30 Uhr
Winter Songs Version III: Roots
Salzburger Festspiele 2005
Conductor: Johannes Kalitzke
Orchestra: Österreichisches Ensemble für Neue Musik
August 18, 2005 |
Salzburg (Austria) , republic — National Premiere
Winter Songs Version III: Roots
Conductor: Titus Engel
Orchestra: ensemble courage
May 19, 2004 |
Dresden (Germany) — World Premiere
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