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Tagebuch

Tagebuch

145 Stücke. Erweiterte Neuausgabe 2015


  • Instrumentation: piano
  • Edition: sheet music
  • Order No.: ED 8883
€45.00  *
Incl. VAT and excl. shipping Weight: 0.81 kg

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Description
Georg Kröll (born 1934), studied
composition with Frank Martin and Bernd Alois Zimmermann, piano with Else Schmitz-Gohr - herself a student of Max Reger -, he also attended courses and lectures by Pousseur, Boulez and Maderna. His ‘Tagebuch’ consists of a series of short piano pieces, their key notes are based on a twelve-note series from Schönberg’s Suite for Piano Op. 25 and are reached via a series of permutations. ‘Just as one can, with a little imagination, see pictures in cloud formations, or discern human or animal shapes in rocks weathered by the wind and the rain, so the sounds inherent in any given material trigger associations. These then crystallise into an inspiration, a structure, a form, or a chord reminiscent of Beet-hoven, a motif by Stravinsky, a clausula by Dufay, a theme by Frescobaldi - the gradual shaping of an idea.
The great store of existing material inspires the imagination and a certain joy of discovery, while the external limitations of pre-existing material provide the freedom for internal creative exploration. This is how parodies, homages, paraphrases and quotes are created, shaped from blocks of sound, fragments and aphorisms.’ (Georg Kröll)
Details
Difficulty: intermediate - advanced
ISMN: 979-0-001-12460-7
Publisher: Schott Music
page number: 164
Performances
2007-12-01 | Insel Hombroich bei Neuss (Germany), Scheune — 16.00 Uhr
2004-05-20 | Insel Hombroich bei Neuss (Germany), Scheune — 11.00 Uhr - Hommage à Georg Kröll
2004-05-05 | Köln (Germany), Museum für angewandte Kunst
Awards
Jan 1, 1999
Auszeichnung "Best Edition" des Deutschen Musikeditionspreises in der Kategorie 2

Georg Kröll (born 1934), studied
composition with Frank Martin and Bernd Alois Zimmermann, piano with Else Schmitz-Gohr - herself a student of Max Reger -, he also attended courses and lectures by Pousseur, Boulez and Maderna. His ‘Tagebuch’ consists of a series of short piano pieces, their key notes are based on a twelve-note series from Schönberg’s Suite for Piano Op. 25 and are reached via a series of permutations. ‘Just as one can, with a little imagination, see pictures in cloud formations, or discern human or animal shapes in rocks weathered by the wind and the rain, so the sounds inherent in any given material trigger associations. These then crystallise into an inspiration, a structure, a form, or a chord reminiscent of Beet-hoven, a motif by Stravinsky, a clausula by Dufay, a theme by Frescobaldi - the gradual shaping of an idea.
The great store of existing material inspires the imagination and a certain joy of discovery, while the external limitations of pre-existing material provide the freedom for internal creative exploration. This is how parodies, homages, paraphrases and quotes are created, shaped from blocks of sound, fragments and aphorisms.’ (Georg Kröll)
Difficulty: intermediate - advanced
ISMN: 979-0-001-12460-7
Publisher: Schott Music
page number: 164
2007-12-01 | Insel Hombroich bei Neuss (Germany), Scheune — 16.00 Uhr
2004-05-20 | Insel Hombroich bei Neuss (Germany), Scheune — 11.00 Uhr - Hommage à Georg Kröll
2004-05-05 | Köln (Germany), Museum für angewandte Kunst
Jan 1, 1999
Auszeichnung "Best Edition" des Deutschen Musikeditionspreises in der Kategorie 2