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Energetic as well as poetic is Karola Obermüller’s music, and it reveals hidden and unknown elements underneath the multilayered musical material.
Many of the works on this portrait CD in the series EDITION ZEITGENÖSSISCHE MUSIK were developed as work in progress during a long period of time. Distinctive for Obermüller’s work are therefore the reflection from several perspectives and the superposition of different layers of sound.
Zooming in on musical details is another special feature in several of her pieces as in “Pulstastung” for example. Here the distances between the musical occurrences are going to be extended more and more, “with an increasing pulse at the same time” (Karola Obermüller). Obermüller is receiving a special inspiration by ancient poetic texts as from the greek poet Sappho. Here she finds the essences of human existence like light and night, eros and longing. In „Untergegangen der Mond“ and „…silbern.“ her music tries “to create moments of magic“ (Volker Blumenthaler in the booklet of the CD).
In “Myrmecia” microtonal shiftings are confronted with percussive making of sound, which are creating a “strange, crackling, and insisting stream of sound”, the composer compares to the wild activity of the primordial ant, the title is derived from.
Coproduction of Deutschlandfunk and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Production Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von SWR, Musik der Jahrhunderte and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von BR-KLASSIK and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von RTV Slovenija and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH
Ensemble Musikfabrik / Kai Wessel: countertenor, bass / Warwick Stengårds: conductor / Daniel Lippel: guitar / Nuiko Wadden: harp / Nathan Davis: Dulcimer / Emanuele Arciuli: piano / Neue Vocalsolisten Stuttgart / Camilla Hoitenga: bass flute / Ensemble Phorminx / Ensemble Modern / Johannes Kalitzke: conductor
Many of the works on this portrait CD in the series EDITION ZEITGENÖSSISCHE MUSIK were developed as work in progress during a long period of time. Distinctive for Obermüller’s work are therefore the reflection from several perspectives and the superposition of different layers of sound.
Zooming in on musical details is another special feature in several of her pieces as in “Pulstastung” for example. Here the distances between the musical occurrences are going to be extended more and more, “with an increasing pulse at the same time” (Karola Obermüller). Obermüller is receiving a special inspiration by ancient poetic texts as from the greek poet Sappho. Here she finds the essences of human existence like light and night, eros and longing. In „Untergegangen der Mond“ and „…silbern.“ her music tries “to create moments of magic“ (Volker Blumenthaler in the booklet of the CD).
In “Myrmecia” microtonal shiftings are confronted with percussive making of sound, which are creating a “strange, crackling, and insisting stream of sound”, the composer compares to the wild activity of the primordial ant, the title is derived from.
Coproduction of Deutschlandfunk and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Production Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von SWR, Musik der Jahrhunderte and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von BR-KLASSIK and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von RTV Slovenija and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH
Ensemble Musikfabrik / Kai Wessel: countertenor, bass / Warwick Stengårds: conductor / Daniel Lippel: guitar / Nuiko Wadden: harp / Nathan Davis: Dulcimer / Emanuele Arciuli: piano / Neue Vocalsolisten Stuttgart / Camilla Hoitenga: bass flute / Ensemble Phorminx / Ensemble Modern / Johannes Kalitzke: conductor
| Content text: | Untergegangen der Mond Sapphic stanzas for countertenor/bass and ensemble (20018/17) Myrmecia for guitar, harp and hammered dulcimer (2015/16) Pulstastung I for piano (2011) Pulstastung II for piano (2014/15) mass:distance:time for six voices (2010/16) ... silbern Sapphic stanzas for bass flute solo (2008/11) Pulstastung III for piano (2015–17) Nichts Fettes nichts Süßes for alto flute, clarinet, percussion, piano and cello (2015) reflejos distantes for bass flute, bass clarinet, violin and cello (2006) coiling and swaying for 18 instruments (2014/15) |
|---|---|
| EAN: | 4010228642421 |
| Performance duration: | 76'37" |
| Publisher: | Wergo |
Energetic as well as poetic is Karola Obermüller’s music, and it reveals hidden and unknown elements underneath the multilayered musical material.
Many of the works on this portrait CD in the series EDITION ZEITGENÖSSISCHE MUSIK were developed as work in progress during a long period of time. Distinctive for Obermüller’s work are therefore the reflection from several perspectives and the superposition of different layers of sound.
Zooming in on musical details is another special feature in several of her pieces as in “Pulstastung” for example. Here the distances between the musical occurrences are going to be extended more and more, “with an increasing pulse at the same time” (Karola Obermüller). Obermüller is receiving a special inspiration by ancient poetic texts as from the greek poet Sappho. Here she finds the essences of human existence like light and night, eros and longing. In „Untergegangen der Mond“ and „…silbern.“ her music tries “to create moments of magic“ (Volker Blumenthaler in the booklet of the CD).
In “Myrmecia” microtonal shiftings are confronted with percussive making of sound, which are creating a “strange, crackling, and insisting stream of sound”, the composer compares to the wild activity of the primordial ant, the title is derived from.
Coproduction of Deutschlandfunk and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Production Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von SWR, Musik der Jahrhunderte and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von BR-KLASSIK and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von RTV Slovenija and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH
Ensemble Musikfabrik / Kai Wessel: countertenor, bass / Warwick Stengårds: conductor / Daniel Lippel: guitar / Nuiko Wadden: harp / Nathan Davis: Dulcimer / Emanuele Arciuli: piano / Neue Vocalsolisten Stuttgart / Camilla Hoitenga: bass flute / Ensemble Phorminx / Ensemble Modern / Johannes Kalitzke: conductor
Many of the works on this portrait CD in the series EDITION ZEITGENÖSSISCHE MUSIK were developed as work in progress during a long period of time. Distinctive for Obermüller’s work are therefore the reflection from several perspectives and the superposition of different layers of sound.
Zooming in on musical details is another special feature in several of her pieces as in “Pulstastung” for example. Here the distances between the musical occurrences are going to be extended more and more, “with an increasing pulse at the same time” (Karola Obermüller). Obermüller is receiving a special inspiration by ancient poetic texts as from the greek poet Sappho. Here she finds the essences of human existence like light and night, eros and longing. In „Untergegangen der Mond“ and „…silbern.“ her music tries “to create moments of magic“ (Volker Blumenthaler in the booklet of the CD).
In “Myrmecia” microtonal shiftings are confronted with percussive making of sound, which are creating a “strange, crackling, and insisting stream of sound”, the composer compares to the wild activity of the primordial ant, the title is derived from.
Coproduction of Deutschlandfunk and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Production Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von SWR, Musik der Jahrhunderte and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von BR-KLASSIK and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH | Coproduction von RTV Slovenija and Deutscher Musikrat gemeinnützige Projektgesellschaft mbH
Ensemble Musikfabrik / Kai Wessel: countertenor, bass / Warwick Stengårds: conductor / Daniel Lippel: guitar / Nuiko Wadden: harp / Nathan Davis: Dulcimer / Emanuele Arciuli: piano / Neue Vocalsolisten Stuttgart / Camilla Hoitenga: bass flute / Ensemble Phorminx / Ensemble Modern / Johannes Kalitzke: conductor
| Content text: | Untergegangen der Mond Sapphic stanzas for countertenor/bass and ensemble (20018/17) Myrmecia for guitar, harp and hammered dulcimer (2015/16) Pulstastung I for piano (2011) Pulstastung II for piano (2014/15) mass:distance:time for six voices (2010/16) ... silbern Sapphic stanzas for bass flute solo (2008/11) Pulstastung III for piano (2015–17) Nichts Fettes nichts Süßes for alto flute, clarinet, percussion, piano and cello (2015) reflejos distantes for bass flute, bass clarinet, violin and cello (2006) coiling and swaying for 18 instruments (2014/15) |
|---|---|
| EAN: | 4010228642421 |
| Performance duration: | 76'37" |
| Publisher: | Wergo |
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