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Test Pieces for orchestral Auditions Double Bass

Excerpts from the Operatic and Concert Repertoire
double bass
La presente edizione dei Passi Orchestrali elaborata da Schott, contiene tutti i passaggi richiesti ad un musicista per essere ammesso in un orchestra. Al contrario di molti studi orchestrali già esistenti, questa collezione focalizza il materiale comunemente usato nelle audizioni. Questa formula permette ai giovani musicisti orchestrali la possibilità di eseguire gli esercizi necessari per le audizioni, e ai musicisti professionisti la possibilità di affrontare passaggi orchestrali di grande difficoltà. Il testo originale della musica e i tempi sono trascritti senza modifiche. Per usufruire al meglio di questi studi, consigliamo al musicista l’attento studio della partitura, unito all’ascolto del CD disponibile separatamente
Product number: ED 7854
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Description

In Orchestern und an den ausbildenden Hochschulen besteht seit langem Bedarf an einer praktischen und leicht zugänglichen Ausgabe der beim Probespiel vorgelegten Orchesterstellen. Der Inhalt dieses Heftes geht zurück auf Anregungen des Deutschen Musikrates und basiert auf statistischen Erhebungen der Deutschen Orchestervereinigung e.V. (DOV) sowie auf der langjährigen Berufserfahrung der Herausgeber als Orchestermusiker und Hochschulpädagogen.
Auf der gesondert erhätlichen CD sind die jeweiligen Werkausschnitte (Instrument mit Orchester) enthalten.

Content

TUTTI SECTIONS: L.v. Beethoven: Symphony No.3 Eb-major op.55 ("Eroica"), 3rd and 4th movement
L.v. Beethoven: Symphony No.5 C-minor op.67, 2nd and 3rd movement
L.v. Beethoven: Symphony No.9 D-minor op.125, 4th movement
A. Berg: Wozzeck, 2nd Act
J. Brahms: Symphony No.2 D-major op.73, 4th movement
A. Bruckner: Symphony No.4 Eb-major ("Romantic"), 4th movement
A. Bruckner: Symphony No.6 A-major, 1st movement
A. Bruckner: Symphony No.7 E-major, 1st and 4th movement
W.A. Mozart: Symphony No.40 G-minor K.550, 1st and 4th movement
W.A. Mozart: Symphony No.41 C-major ("Jupiter") K.551, 4th movement
W.A. Mozart: The Marriage of Figaro K.492, Overture
W.A. Mozart: The Magic Flute K.620, Overture
F. Schubert: Symphony No.8 C-major, 3rd and 4th movement
B. Smetana: The Bartered Bride, Overture
R. Strauss: Till Eulenspiegels lustige Streiche op.28
R. Strauss: Don Juan op.20
R. Strauss: Ein Heldenleben op.40
R. Strauss: Salome op.54, 4th Scene
R. Strauss: Der Rosenkavalier op.59, 2nd Aufzug
G. Verdi: Rigoletto, 1st Act, No.1 (Choral)
G. Verdi: La Traviata, 1st Act, 4th Scene; 2nd Act, 2nd, 7th & 8th Scenes
G. Verdi: La forza del destino, Overture
G. Verdi: Aida, 4th Act
G. Verdi: Othello, 4th Act
G. Verdi: Falstaff, 3rd Act, 1st Teil
R. Wagner: Die Meistersinger von Nürnberg, 1st Act, 3rd Scene; 2nd Act, 7. Scene ("Prügelszene")
R. Wagner: Die Walküre, 1st Act, Vorspiel, 1st and 2nd Scene; 2nd Act, Vorspiel, 1st and 5th Scene; 3rd Act, 1st Scene
R. Wagner: Siegfried, 2nd Act, 3rd Scene; 3rd Act, Vorspiel
C.M.v. Weber: Der Freischütz op.77, Overture
C.M.v. Weber: Euryanthe op.81, Overture
C.M.v. Weber: Oberon, Overture
SOLO SECTIONS: A. Berg: Wozzeck, 3rd Act
A. Berg: Lulu, 1st Act, Prologue; 2nd Act, 1st Scene
K.A. Hartmann: Symphony No.3, Beginning, Largo ma non troppo
G. Mahler: Symphony No.1 D-major, 3rd movement
H. Pfitzner: Palestrina, 1st Act, 3rd and 5th Scenes
R. Strauss: Ariadne auf Naxos op.60, 2nd Act
I. Stravinsky: Pulcinella-Suite, 7th Act
G. Verdi: Rigoletto, 1st Act, No.3 (Duetto)
B.A. Zimmermann: Die Soldaten, 3rd Act, 4th Scene

More Information

Title:
Test Pieces for orchestral Auditions Double Bass
Excerpts from the Operatic and Concert Repertoire
Level of difficulty:
difficult
Publisher/Label:
Schott Music
Series:

Technical Details

Product number:
ED 7854
ISMN13:
979-0-001-08142-9
Weight:
0,27 kg
Pages:
62
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching

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For many years, orchestras and conservatoires have wanted a practical and easily accessible edition of orchestral passages required at auditions. This edition, initiated at the request of the German Music Council, is based on statistical surveys carried out by the German Union of Orchestras and on many years of professional experience gained by the editors themselves, all of whom are members of orchestras and conservatoire staffs. The respective excerpts (instrument with orchestra) are contained on separately available CDs.

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