On yesternight I saw a sight
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Composer's note:
“On yesternight I saw a sight was set as a means of thanking Jo Tomlinson for promoting and recording my music with the excellent choristers of Farnham Youth Choir. Knowing that the group’s ethos is to memorise the music, I intentionally set the text in a strophic fashion in which the odd-numbered verses act as a unison chorus that later forms a round. The text is inherently rhythmical and joyous. To my mind, it could only be a 12/8 jig reminiscent of a traditional folk dance. For the work’s final exclamation, I originally added “Noel” to the text. However, singing the final letter of this word while singing a top A is unnecessarily difficult. Thus I instead set the medieval Latin term, “Noe”. By happy coincidence, this rhymes with the last two words of the sixth verse. The final chorus - harmonised for the first time and accompanied by a descant – hurriedly asks for God’s grace in these ever uncertain times so that he may “be born in us today”.”
- Gareth Treseder -
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Diverse in terms of theme and mood, with works suitable for a variety of festive and commemorative occasions, both sacred and secular, this series provides an exciting collection of contemporary works for choirs of all types, voicings and abilities.
Spanning many different styles including the jazz-influenced world of Will Todd’s Jazz Carols and Iain Farrington’s The Blues Service, the tranquil beauty of James MacMillan’s Ave Maris Stella, and the energetic jubilation of Gareth Treseder’s Blessed be that Maid Marie, the series provides a wealth of new music, perfect for choirs looking to expand their horizons and explore new repertoire.