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Micro-Concerto

Percussion and chamber ensemble
Le compositeur a imaginé certains moyens d’obtenir en les cajolant des sons de morceaux de bois, de métal ou de peau, au lieu de simplement les percuter ; pour lui, en effet, le premier pas dans l’écriture pour la percussion est d’inventer l’instrument et une technique de jeu.
Product number: BHI 21302
Edition: Study score
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Product Details

Description

The composer imagined particular ways to coax sound out of pieces of wood, metal and skin instead of simply hitting things as for him, the first step in writing for percussion is to invent the instrument and a playing technique.
The two interludes are played on big, standard pieces of percussion "furniture", but the main movements focus on small moves and subtle distinctions. They are full of fussy descriptions of how to play some handheld "toy" just so. This micro-management of small muscle groups, and the fact that the concerto soloist is accompanied by the smallest orchestra imaginable, suggested the title.

Orchestral Cast

Flute (piccolo, alto flute), B flat Clarinet (bass clarinet), Violin, Cello, Piano and Percussion (vibraphone, bass drum, low tom-tom, medium tom-tom, high tom-tom, Almglocken, tuned cowbell, 2 congas, claves, small triangle, suspended cymbal, pedal kick bass drum, low Asian drum, low samba whistle, clickers, bongos, 2 timbales, woodblocks, 2 piccolo woodblocks, small cowbell, log drum, mounted castanets, small guiro, egg shaker, mounted tambourine, jingles, vibraslap, sizzle cymbal, chinese cymbal, crash cymbal, small Chinese gong, cans, bean pod rattle, bottles

More Information

Title:
Micro-Concerto
Edition:
Study score
Publisher/Label:
Boosey & Hawkes, New York
Series:

Technical Details

Product number:
BHI 21302
ISMN13:
979-0-051-21302-3
ISBN13:
978-1-61774-008-4
UPC:
884088533076
Weight:
0,17 kg
Pages:
72
Binding:
Saddle-wire stitching

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