Lieferzeit
2-3 Tage
Hire/performance material
Ingomar Gruenauer (Composer) | Ingomar Gruenauer (Librettist) | Pedro Calderón de la Barca (Author of original text)
König für einen Tag
Oper in drei Bildern
Libretto vom Komponisten nach Pedro Calderón de la Barcas "La vida es sueño" und Hugo von Hofmannsthals "Der Turm"
Edition: Performance material
Product Details
Description
For 10 years Prince Sigismund has been incarcerated in a tower by order of his father, the king, so as to protect the royal household from his volatile moods. His soliloquies and fantasies constantly circle around his beloved Julia, the discoverer Amerigo Vespucci and a free and better world without a king and without exploitation. The king and Julia arrive at the tower and the king gives in to her demand to free Sigismund. Meanwhile, the empire is in danger and the people threaten unrest. The counsellors confer, no-one is sure how to deal with the situation.
Amidst the confusion, the king informs the Privy Council of his decision that Sigismund should be the new king. Sigismund is rather unsure at first, not knowing whether he is being tricked and mocked, but all too soon his volatility takes over. He tortures the counsellors, announces the victory of the riotous rebels and wants to fraternize with the crowd. Soon the situation escalates; the crowd turns on the counsellors and is about to string Sigismund, "the last bloodsucker" up. At the last moment the king intervenes and calms the situation with a few words. The king reveals that everything was a game, to show Sigismund that "An empire isn’t a cue ball for fantasies." Sigismund is distraught and of his own will returns to the tower, refusing to leave ever again.
Amidst the confusion, the king informs the Privy Council of his decision that Sigismund should be the new king. Sigismund is rather unsure at first, not knowing whether he is being tricked and mocked, but all too soon his volatility takes over. He tortures the counsellors, announces the victory of the riotous rebels and wants to fraternize with the crowd. Soon the situation escalates; the crowd turns on the counsellors and is about to string Sigismund, "the last bloodsucker" up. At the last moment the king intervenes and calms the situation with a few words. The king reveals that everything was a game, to show Sigismund that "An empire isn’t a cue ball for fantasies." Sigismund is distraught and of his own will returns to the tower, refusing to leave ever again.
Orchestral Cast
2 (2. auch Picc.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 1 · 1 · 0 - S. (Marimba · 3 Crot. · 2 hg. Beck. · Hi-Hat · 3 Tomt. · Rührtr. · kl. Tr.) (1 Spieler) - Reißnagel-Klav. - Str.
Cast
Wächter · Tenor - Prinz Sigismund · (Bass-)Bariton - König · Bass - Julia · Sopran - 1. Staatsrat · hoher (Koloratur-)Sopran - 2. bis 8. Staatsrat · 4 Alt, 3 Tenöre - 4 Männer von der Straße · 4 Bässe - 4 Frauen von der Straße · 4 Soprane - unsichtbare Stimmen (Gouvernanten, Erzieher etc.) · Chor
More Information
Title:
König für einen Tag
Oper in drei Bildern
Libretto vom Komponisten nach Pedro Calderón de la Barcas "La vida es sueño" und Hugo von Hofmannsthals "Der Turm"
Language:
German
Edition:
Performance material
Publisher/Label:
Schott Music
Year of composition:
1989
Duration:
85 ′
World Premiere:
May 16, 1990 · Luzern (CH)
Stadttheater
Conductor: Christian Pollack
Original staging: Georges Delnon · Costumes: Anuschka Meyer-Riehl · Set desing: Erich Fischer
(scenic)
Stadttheater
Conductor: Christian Pollack
Original staging: Georges Delnon · Costumes: Anuschka Meyer-Riehl · Set desing: Erich Fischer
(scenic)
Technical Details
Product number:
LS 1906-01
Persons
Performances
König für einen Tag
Conductor: Christian Pollack
May 16, 1990 |
Luzern (Switzerland) , Stadttheater — World Premiere
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