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To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. This anthology is aimed at intermediate to advanced violinists looking for some interesting new discoveries away from the standard repertoire. Containing works largely from the Romantic era, these are virtuoso pièces de résistance and encores, expressive character pieces, gems of salon music and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
| Content text: | Gaetano Pugnani (1731–1798): Adagio sostenuto Federigo Fiorillo (1755–1823): In Memoriam. Capriccio John Field (1782–1837): Melancolie Charles-Auguste de Bériot (1802–1870): Sérénade op. 124 Sebastián de Yradier (1809–1865): La Paloma. Sérénade espagnole Frédéric Chopin (1810–1849): Mazurka op. 17/1 Jean Delphin Alard (1815–1888): Barcarolle op. 26/1 Auguste Faucheux (1816–1912): Sérénade op. 29 Charles Gounod (1818–1893): Hymne à Sainte Cécile. Méditation religieuse Jean-Henri Ravina (1818–1906) Petit Boléro op. 62 Hubert Léonard (1819–1890): Capricho espagñol op. 58 Julius Schulhoff (1825–1898) Confidence. Impromptu op. 8/1 Anton Rubinstein (1829–1894): Romance op. 10/5 Henryk Wieniawski (1835–1880): Gigue op. 23 Georges Bizet (1838–1875): Carmen-Marsch / Carmen March Berthold Tours (1838–1897): Fantasy on “Hansel and Gretel” by Engelbert Humperdinck / Fantasie über „Hänsel und Gretel“ von Engelbert Humperdinck Peter I. Tschaikowsky (1840–1893) Mazurka op. 9/3 Jenö Hubay (1858–1937) Plaintes arabes / Arabisches Klagelied / Arabian Lament |
|---|---|
| Difficulty: | intermediate to advanced |
| Publisher: | Schott Music |
| page number: | 148 |
To mark the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. This anthology is aimed at intermediate to advanced violinists looking for some interesting new discoveries away from the standard repertoire. Containing works largely from the Romantic era, these are virtuoso pièces de résistance and encores, expressive character pieces, gems of salon music and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
| Content text: | Gaetano Pugnani (1731–1798): Adagio sostenuto Federigo Fiorillo (1755–1823): In Memoriam. Capriccio John Field (1782–1837): Melancolie Charles-Auguste de Bériot (1802–1870): Sérénade op. 124 Sebastián de Yradier (1809–1865): La Paloma. Sérénade espagnole Frédéric Chopin (1810–1849): Mazurka op. 17/1 Jean Delphin Alard (1815–1888): Barcarolle op. 26/1 Auguste Faucheux (1816–1912): Sérénade op. 29 Charles Gounod (1818–1893): Hymne à Sainte Cécile. Méditation religieuse Jean-Henri Ravina (1818–1906) Petit Boléro op. 62 Hubert Léonard (1819–1890): Capricho espagñol op. 58 Julius Schulhoff (1825–1898) Confidence. Impromptu op. 8/1 Anton Rubinstein (1829–1894): Romance op. 10/5 Henryk Wieniawski (1835–1880): Gigue op. 23 Georges Bizet (1838–1875): Carmen-Marsch / Carmen March Berthold Tours (1838–1897): Fantasy on “Hansel and Gretel” by Engelbert Humperdinck / Fantasie über „Hänsel und Gretel“ von Engelbert Humperdinck Peter I. Tschaikowsky (1840–1893) Mazurka op. 9/3 Jenö Hubay (1858–1937) Plaintes arabes / Arabisches Klagelied / Arabian Lament |
|---|---|
| Difficulty: | intermediate to advanced |
| Publisher: | Schott Music |
| page number: | 148 |
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