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Friction, Pressure, Impact

Friction, Pressure, Impact

for cello and piano


  • Instrumentation: cello and piano
  • Edition: score and part
  • Order No.: ED 31215
€118.00  *
Incl. VAT and excl. shipping Weight: 0.18 kg

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Description
Friction, Pressure, Impact comprises three movements, each of which focuses on the question of musical metabolism in a different way. The first movement, Friction, has a moderately fast metabolism, working through the musical material between the instruments with some speed yet with a kind of compulsively controlled rate of evolution. Pressure has a much slower pace of working through its musical argument, which is relatively minimal. It moves heavily and sensuously through its course. Impact changes and shifts with a mercurial speed; although this movement has one single argument throughout, it is an argument that is constantly changing shape and perspective: phrase-lengths, local patterns, registers, and harmonic inversions are constantly in flux, pelting the music's surface like a hale storm. - Hannah Lash
Details
Auftragswerk : Commissioned by TwoSense: Lisa Moore, piano; Ashley Bathgate, cello
Binding: Saddle stitching
Content text: I Friction
II Pressure
III Impact
ISBN: 978-1-62721-251-9
ISMN: 979-0-800011-57-3
Performance duration: 12'0"
Publisher: Schott Helicon Music Corporation
UPC: 888680727222
Uraufführung : 4. Oktober 2012 Brooklyn, NY, Roulette (USA) · Lisa Moore, piano; Ashley Bathgate, cello · Veranstalter: TwoSense
Year of composition: 2012
page number: 44
Delivery rights: worldwide
Performances
2012-12-01 | New York, NY (United States of America)
2012-11-23 | Detroit, MI (United States of America), Detroit Institute of Arts
2012-10-04 | Brooklyn, NY (United States of America), Roulette | World Premiere
Friction, Pressure, Impact comprises three movements, each of which focuses on the question of musical metabolism in a different way. The first movement, Friction, has a moderately fast metabolism, working through the musical material between the instruments with some speed yet with a kind of compulsively controlled rate of evolution. Pressure has a much slower pace of working through its musical argument, which is relatively minimal. It moves heavily and sensuously through its course. Impact changes and shifts with a mercurial speed; although this movement has one single argument throughout, it is an argument that is constantly changing shape and perspective: phrase-lengths, local patterns, registers, and harmonic inversions are constantly in flux, pelting the music's surface like a hale storm. - Hannah Lash
Auftragswerk : Commissioned by TwoSense: Lisa Moore, piano; Ashley Bathgate, cello
Binding: Saddle stitching
Content text: I Friction
II Pressure
III Impact
ISBN: 978-1-62721-251-9
ISMN: 979-0-800011-57-3
Performance duration: 12'0"
Publisher: Schott Helicon Music Corporation
UPC: 888680727222
Uraufführung : 4. Oktober 2012 Brooklyn, NY, Roulette (USA) · Lisa Moore, piano; Ashley Bathgate, cello · Veranstalter: TwoSense
Year of composition: 2012
page number: 44
Delivery rights: worldwide
2012-12-01 | New York, NY (United States of America)
2012-11-23 | Detroit, MI (United States of America), Detroit Institute of Arts
2012-10-04 | Brooklyn, NY (United States of America), Roulette | World Premiere