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Ligeti illustrated the transition from low midnight to bright day initially with an eight-voice double canon, then in an increasingly motetic style. With onomatopoeia, like the cock crow, the ticking of a clock and the peal of bells, a great effect in the concert is guaranteed.
| Content text: | I Éjszaka "Rengeteg tövis" (SSAATTBB) II Reggel "Már üti üti már" (SMezATB mit Soli) |
|---|---|
| Difficulty: | advanced to difficult |
| Performance duration: | 4'0" |
| Publisher: | SCHOTT MUSIC GmbH & Co KG, Mainz (001) |
| Year of composition: | 1955 |
| page number: | 20 |
Ligeti illustrated the transition from low midnight to bright day initially with an eight-voice double canon, then in an increasingly motetic style. With onomatopoeia, like the cock crow, the ticking of a clock and the peal of bells, a great effect in the concert is guaranteed.
| Content text: | I Éjszaka "Rengeteg tövis" (SSAATTBB) II Reggel "Már üti üti már" (SMezATB mit Soli) |
|---|---|
| Difficulty: | advanced to difficult |
| Performance duration: | 4'0" |
| Publisher: | SCHOTT MUSIC GmbH & Co KG, Mainz (001) |
| Year of composition: | 1955 |
| page number: | 20 |
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