Durham Concerto
Product Details
Description
The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mind”, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral.
My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durham”, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending.
The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city.
Jon Lord
Orchestral Cast
Content
I The Cathedral at Dawn
II Durham Awakes
Part 2: Afternoon
I The Road from Lindisfarne
II From Prebends Bridge
Part 3: Evening
I Rags and Galas
II Nocturne
More Information
Cathedral
Ruth Palmer, violin solo; Matthew Barley, cello solo; Kathryn Tickell, Northumbrian pipes; Jon Lord, Hammond organ · Conductor: Mischa Damev
May 19, 2015 · Hagen (D)
Stadthalle
Shotaro Kageyama, Violine; Shengzhi Guo, Violoncello; Kathryn Tickell, Northumbrian pipes; Ralph Breitenbach, Hammond Orgel · Conductor: Paul Mann · Philharmonisches Orchester Hagen