Binding: | Paperback/Soft Cover |
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Content text: |
Vorwort
Foreword Esther Leslie: The Particulars of the Avant Garde: Between Aesthetic Experience and Insult, Experiment and Insularity Martin Iddon: Still Modern Finding Democracy in Music – Lectures from a Symposium Robert Adlington: Imagining Democracy in Music: Lessons from the Past Noriko Manabe: The Sound Truck as an Apparatus of Democracy in Japanese Street Protests Cathy Milliken: Democracy and Collective Composition Georgina Born: The Audience and Radical Democracy
Michael Rebhahn: All Bark and No Bite? On Some Tendencies in Contemporary Critical Practice Robert Barry: Criticism as Hyperstition Hannes Seidl: Choose Words to Signify, Choose Music for Everything Else Kirsten Reese: ‘Beyond Aura’ –Composing with the Archive Contributors |
ISBN: | 978-3-7957-1998-2 |
Publisher: | Schott Music |
Series: | Contributions of New Music from Darmstadt |
page number: | 108 |
Binding: | Paperback/Soft Cover |
---|---|
Content text: |
Vorwort
Foreword Esther Leslie: The Particulars of the Avant Garde: Between Aesthetic Experience and Insult, Experiment and Insularity Martin Iddon: Still Modern Finding Democracy in Music – Lectures from a Symposium Robert Adlington: Imagining Democracy in Music: Lessons from the Past Noriko Manabe: The Sound Truck as an Apparatus of Democracy in Japanese Street Protests Cathy Milliken: Democracy and Collective Composition Georgina Born: The Audience and Radical Democracy
Michael Rebhahn: All Bark and No Bite? On Some Tendencies in Contemporary Critical Practice Robert Barry: Criticism as Hyperstition Hannes Seidl: Choose Words to Signify, Choose Music for Everything Else Kirsten Reese: ‘Beyond Aura’ –Composing with the Archive Contributors |
ISBN: | 978-3-7957-1998-2 |
Publisher: | Schott Music |
Series: | Contributions of New Music from Darmstadt |
page number: | 108 |