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Kenneth  Hesketh

Born: July 20th, 1968
Country of origin: United Kingdom
"...further evidence of the composer's continued refining of his intricate but never diffuse approach to sonority – and with a gestural lightness of touch all too easy to overlook but which should never to be taken for granted." (The Classical Source)

Described by Tempo Magazine as "...a composer who both has something to say and the means to say it”, Kenneth Hesketh began composing whilst a chorister at Liverpool Anglican Cathedral. He completed his first orchestral work at the age of 13 and received his first formal commission at 19 for the Royal Liverpool Philharmonic Orchestra under Sir Charles Groves. After studying at Tanglewood in 1995 with Henri Dutilleux, Hesketh completed a Masters degree in Composition at the University of Michigan. A series of awards followed, including a scholarship from the Toepfer Foundation, Hamburg at the behest of Sir Simon Rattle and the Constant and Kit Lambert Fellowship at the Royal College of Music. Hesketh was New Music Fellow at Kettle's Yard and Corpus Christi College, Cambridge from 2003 – 2005 where he curated a series of new music chamber concerts. He was awarded the Foundation André Chevillion-Yvonne Bonnaud prize at the 2004 Concours International de Piano d'Orléans after a performance of Three Japanese Miniatures by pianist Daniel Becker. A professor of composition at the Royal College of Music, Hesketh has given lectures and masterclasses at numerous institutions in Britain and abroad, including the Birmingham Conservatoire, the Royal Northern College of Music, the Institute of Musical Research, Cardiff University, St. Thomas University (U.S.A.) the ICon Arts Festival (Romania), Semyung University (Seoul, South Korea) and the Bowdoin International Festival (USA). This year he will be a teacher at the Summer Academy of the Ionian University where he will also lecture on his works for film and dance. Hesketh has received numerous national and international commissions from, amongst others, the Fromm Foundation at Harvard University, a Faber Millennium Commission for Birmingham Contemporary Music Group premiered under Sir Simon Rattle, the BBC Philharmonic conducted by Vasilly Sinaisky, Hans Werner Henze and the Endymion Ensemble in honour of Henze's 75th birthday, the Munich Biennale, the Seattle Symphony Orchestra, the Michael Vyner Trust for the London Sinfonietta, The Opera Group, ensemble Psappha and Kissinger Sommer Internationales Musikfestival. In September 2007, Hesketh took up the two-year position of Composer in the House with the Royal Liverpool Philharmonic Orchestra, culminating in the premiere of Graven Image, a co-commission with the BBC Proms which the RLPO subsequently took on tour to Prague with their chief conductor Vasily Petrenko. He will be a featured composer at the 2014 Beijing Modern Music Festival, China. Oliver Knussen was an early champion of Hesketh’s music, conducting works with both Birmingham Contemporary Music Group and the London Sinfonietta. Netsuke was performed by Susanna Malkki in her opening concert as Music Director of Ensemble Intercontemporain in Paris in 2006. More recently, Clark Rundell conducted world premieres of Ein Lichtspiel in 2007 and Wunderkammer(konzert) in 2008, both with Ensemble 10/10. Conductor Christoph-Mathias Mueller has also championed Hesketh’s orchestral music giving the Swiss premiere of Detail from the Record with the Orchestra della Svizzera Italiana in Chur and the world premiere of Two Lapels and a Pocket with the Gottinger Symphonie Orchester. Other highlights include performances by the Frankfurt Radio Symphony Orchestra, the Sudwest Rundfunk (Baden-Baden), Psappha, the ASKO ensemble and BBC National Orchestra of Wales.
 
Hesketh was a part of the hugely successful collaboration between the London Sinfonietta and WARP records; his transcription of Aphex Twin’s Polygon Window has been performed across Europe and was released on CD in 2003. In addition to recordings of this and Detail from the Record (2006) by London Sinfonietta, Psaphha recorded "Theatre of Attractions", a disc of Hesketh's chamber music released for download in 2012; and NMC released a new portrait disc of orchestral and large ensemble works, "Wunderkammer(konzert)", in February 2013. Hesketh’s new work for dance, Forms entangled, shapes collided, commissioned by Psappha and Phoenix Dance Theatre, Leeds, through the support of The Royal Philharmonic Society Drummond Fund, toured throughout the UK in 2013. His third solo disc will be released in 2014 by Prima Facie, featuring works for two pianos and piano four-hands.
  • Kenneth Hesketh - website
     
  • 1968
    Born in Liverpool
    1977
    Chorister at Liverpool Anglican Cathedral
    1985
    Symphony
    1987
    First official commission from Sir Charles Groves for the Royal Liverpool Philhamonic Orchestra
    1992
    Now Springs the Spray! for soprano and orchestra
    1994
    Recit and Aria for soprano and chamber orchestra
    1995
    Leonard Bernstein Fellow at Tanglewood
    1996
    Theatrum for chamber ensemble

    Shakespeare Prize scholarship from the Toepfer Foundation, Hamburg
    1997
    Masters degree in Composition, University of Michigan, USA

    Torturous Instruments for chamber ensemble
    1999
    The Circling Canopy of Night for chamber ensemble (Faber Music Millennium commission)

    Award from the Liverpool Foundation of Sport and Arts

    Awarded Constant and Kit Lambert Fellow at the Royal College of Music, London
    2000
    2000-01
    Netsuke for chamber ensemble
    2001
    After Verdi for chamber orchestra

    Deux Arabesques for chamber ensemble

    Detail from the Record for chamber orchestra
    2002
    Notte Oscura for orchestra

    Cautionary Tales for clarinet, violin and piano

    Dei Destini Incrociati for six players

    Fra Duri Scogli for six players

    Three Japanese Miniatures for piano
    2002-03
    The Overcoat Opera in 2 Acts
    2003
    A Land So Luminous for violin and chamber ensemble

    Appointed Professor of Composition and Orchestra, Royal College of Music, London
    2003-05
    New Music Fellow, Kettle's Yard, Cambridge
    2004
    Polygon Window for violin, 2 pianos and 11 percussion

    Two Lapels and a Pocket (Suite No. 1 from The Overcoat) for chamber ensemble

    Three Japanese Miniatures awarded Fondation Andre Chevillion-Yvonne Bonnaud Prize
    2005
    Threats and Declamations for chamber ensemble

    Three Pieces in the Shape of A Shoe for oboe, bassoon and piano
    2005-06
    The Doctrine of Affections for chamber ensemble
    2006
    Music of a Distant Drum for baritone and chamber ensemble

    Small Tales, tall tales for soprano, mezzo soprano, tenor, baritone and chamber ensemble

    Poetic Conceits for piano

    Ein Lichtspiel for chamber ensemble
    2007
    Appointed Composer in the House with the Royal Liverpool Philharmonic Orchestra

    Rhyme for the Reason for orchestra

    Gallery

    per page
    1. Heu, heu, heu...

      Heu, heu, heu...

      Eine kleine ausschweifende Feier
      Digital output
      Composer: Hesketh, Kenneth
      Instrumentation: piano
      Edition: single sheet
      Order No.: ED 13496
      €2.99
    2. Aphorisms

      Aphorisms

      for solo clarinet
      Composer: Hesketh, Kenneth
      Instrumentation: clarinet in Bb
      Edition: score
      Order No.: KLB 1001
      €12.95
    3. At God speeded summer's end

      At God speeded summer's end

      for orchestra
      Composer: Hesketh, Kenneth
      Instrumentation: orchestra
      Edition: performance material
    4. Torturous Instruments

      Torturous Instruments

      for chamber ensemble
      Composer: Hesketh, Kenneth
      Instrumentation: chamber ensemble
      Edition: performance material
    5. The Cloud Of Unknowing

      The Cloud Of Unknowing

      for symphonic wind band
      Composer: Hesketh, Kenneth
      Instrumentation: symphonic wind band
      Edition: performance material
    6. A Land So Luminous

      A Land So Luminous

      for solo violin and chamber ensemble
      Composer: Hesketh, Kenneth
      Instrumentation: violin and chamber ensemble
      Edition: performance material
    7. Small Tales, tall tales

      Small Tales, tall tales

      A Grimm Sequence
      Composer: Hesketh, Kenneth
      Instrumentation: soprano, mezzo soprano, tenor, baritone and chamber ensemble
      Edition: performance material
      Language: English
    8. Through magic casements

      Through magic casements

      for piano solo
      Composer: Hesketh, Kenneth
      Instrumentation: piano
      Order No.: ED 13393
      €10.00
    9. Bethlehem Down

      Bethlehem Down

      for SATB choir
      Composer: Hesketh, Kenneth
      Instrumentation: mixed choir (SATB)
      Edition: choral score
      Order No.: ED 13398
      €5.99

      Out of stock

    10. What if...? (op[f]er)

      What if...? (op[f]er)

      for piano four hands
      Composer: Hesketh, Kenneth
      Instrumentation: piano (4 hands)
      Edition: performance score
      Order No.: ED 13451
      €11.00

    per page
    Profile
    "...further evidence of the composer's continued refining of his intricate but never diffuse approach to sonority – and with a gestural lightness of touch all too easy to overlook but which should never to be taken for granted." (The Classical Source)

    Described by Tempo Magazine as "...a composer who both has something to say and the means to say it”, Kenneth Hesketh began composing whilst a chorister at Liverpool Anglican Cathedral. He completed his first orchestral work at the age of 13 and received his first formal commission at 19 for the Royal Liverpool Philharmonic Orchestra under Sir Charles Groves. After studying at Tanglewood in 1995 with Henri Dutilleux, Hesketh completed a Masters degree in Composition at the University of Michigan. A series of awards followed, including a scholarship from the Toepfer Foundation, Hamburg at the behest of Sir Simon Rattle and the Constant and Kit Lambert Fellowship at the Royal College of Music. Hesketh was New Music Fellow at Kettle's Yard and Corpus Christi College, Cambridge from 2003 – 2005 where he curated a series of new music chamber concerts. He was awarded the Foundation André Chevillion-Yvonne Bonnaud prize at the 2004 Concours International de Piano d'Orléans after a performance of Three Japanese Miniatures by pianist Daniel Becker. A professor of composition at the Royal College of Music, Hesketh has given lectures and masterclasses at numerous institutions in Britain and abroad, including the Birmingham Conservatoire, the Royal Northern College of Music, the Institute of Musical Research, Cardiff University, St. Thomas University (U.S.A.) the ICon Arts Festival (Romania), Semyung University (Seoul, South Korea) and the Bowdoin International Festival (USA). This year he will be a teacher at the Summer Academy of the Ionian University where he will also lecture on his works for film and dance. Hesketh has received numerous national and international commissions from, amongst others, the Fromm Foundation at Harvard University, a Faber Millennium Commission for Birmingham Contemporary Music Group premiered under Sir Simon Rattle, the BBC Philharmonic conducted by Vasilly Sinaisky, Hans Werner Henze and the Endymion Ensemble in honour of Henze's 75th birthday, the Munich Biennale, the Seattle Symphony Orchestra, the Michael Vyner Trust for the London Sinfonietta, The Opera Group, ensemble Psappha and Kissinger Sommer Internationales Musikfestival. In September 2007, Hesketh took up the two-year position of Composer in the House with the Royal Liverpool Philharmonic Orchestra, culminating in the premiere of Graven Image, a co-commission with the BBC Proms which the RLPO subsequently took on tour to Prague with their chief conductor Vasily Petrenko. He will be a featured composer at the 2014 Beijing Modern Music Festival, China. Oliver Knussen was an early champion of Hesketh’s music, conducting works with both Birmingham Contemporary Music Group and the London Sinfonietta. Netsuke was performed by Susanna Malkki in her opening concert as Music Director of Ensemble Intercontemporain in Paris in 2006. More recently, Clark Rundell conducted world premieres of Ein Lichtspiel in 2007 and Wunderkammer(konzert) in 2008, both with Ensemble 10/10. Conductor Christoph-Mathias Mueller has also championed Hesketh’s orchestral music giving the Swiss premiere of Detail from the Record with the Orchestra della Svizzera Italiana in Chur and the world premiere of Two Lapels and a Pocket with the Gottinger Symphonie Orchester. Other highlights include performances by the Frankfurt Radio Symphony Orchestra, the Sudwest Rundfunk (Baden-Baden), Psappha, the ASKO ensemble and BBC National Orchestra of Wales.
     
    Hesketh was a part of the hugely successful collaboration between the London Sinfonietta and WARP records; his transcription of Aphex Twin’s Polygon Window has been performed across Europe and was released on CD in 2003. In addition to recordings of this and Detail from the Record (2006) by London Sinfonietta, Psaphha recorded "Theatre of Attractions", a disc of Hesketh's chamber music released for download in 2012; and NMC released a new portrait disc of orchestral and large ensemble works, "Wunderkammer(konzert)", in February 2013. Hesketh’s new work for dance, Forms entangled, shapes collided, commissioned by Psappha and Phoenix Dance Theatre, Leeds, through the support of The Royal Philharmonic Society Drummond Fund, toured throughout the UK in 2013. His third solo disc will be released in 2014 by Prima Facie, featuring works for two pianos and piano four-hands.
  • Kenneth Hesketh - website
     
  • Works
    Chronology
    1968
    Born in Liverpool
    1977
    Chorister at Liverpool Anglican Cathedral
    1985
    Symphony
    1987
    First official commission from Sir Charles Groves for the Royal Liverpool Philhamonic Orchestra
    1992
    Now Springs the Spray! for soprano and orchestra
    1994
    Recit and Aria for soprano and chamber orchestra
    1995
    Leonard Bernstein Fellow at Tanglewood
    1996
    Theatrum for chamber ensemble

    Shakespeare Prize scholarship from the Toepfer Foundation, Hamburg
    1997
    Masters degree in Composition, University of Michigan, USA

    Torturous Instruments for chamber ensemble
    1999
    The Circling Canopy of Night for chamber ensemble (Faber Music Millennium commission)

    Award from the Liverpool Foundation of Sport and Arts

    Awarded Constant and Kit Lambert Fellow at the Royal College of Music, London
    2000
    2000-01
    Netsuke for chamber ensemble
    2001
    After Verdi for chamber orchestra

    Deux Arabesques for chamber ensemble

    Detail from the Record for chamber orchestra
    2002
    Notte Oscura for orchestra

    Cautionary Tales for clarinet, violin and piano

    Dei Destini Incrociati for six players

    Fra Duri Scogli for six players

    Three Japanese Miniatures for piano
    2002-03
    The Overcoat Opera in 2 Acts
    2003
    A Land So Luminous for violin and chamber ensemble

    Appointed Professor of Composition and Orchestra, Royal College of Music, London
    2003-05
    New Music Fellow, Kettle's Yard, Cambridge
    2004
    Polygon Window for violin, 2 pianos and 11 percussion

    Two Lapels and a Pocket (Suite No. 1 from The Overcoat) for chamber ensemble

    Three Japanese Miniatures awarded Fondation Andre Chevillion-Yvonne Bonnaud Prize
    2005
    Threats and Declamations for chamber ensemble

    Three Pieces in the Shape of A Shoe for oboe, bassoon and piano
    2005-06
    The Doctrine of Affections for chamber ensemble
    2006
    Music of a Distant Drum for baritone and chamber ensemble

    Small Tales, tall tales for soprano, mezzo soprano, tenor, baritone and chamber ensemble

    Poetic Conceits for piano

    Ein Lichtspiel for chamber ensemble
    2007
    Appointed Composer in the House with the Royal Liverpool Philharmonic Orchestra

    Rhyme for the Reason for orchestra
    Gallery

    Gallery

    Products

    per page
    1. Heu, heu, heu...

      Heu, heu, heu...

      Eine kleine ausschweifende Feier
      Digital output
      Composer: Hesketh, Kenneth
      Instrumentation: piano
      Edition: single sheet
      Order No.: ED 13496
      €2.99
    2. Aphorisms

      Aphorisms

      for solo clarinet
      Composer: Hesketh, Kenneth
      Instrumentation: clarinet in Bb
      Edition: score
      Order No.: KLB 1001
      €12.95
    3. At God speeded summer's end

      At God speeded summer's end

      for orchestra
      Composer: Hesketh, Kenneth
      Instrumentation: orchestra
      Edition: performance material
    4. Torturous Instruments

      Torturous Instruments

      for chamber ensemble
      Composer: Hesketh, Kenneth
      Instrumentation: chamber ensemble
      Edition: performance material
    5. The Cloud Of Unknowing

      The Cloud Of Unknowing

      for symphonic wind band
      Composer: Hesketh, Kenneth
      Instrumentation: symphonic wind band
      Edition: performance material
    6. A Land So Luminous

      A Land So Luminous

      for solo violin and chamber ensemble
      Composer: Hesketh, Kenneth
      Instrumentation: violin and chamber ensemble
      Edition: performance material
    7. Small Tales, tall tales

      Small Tales, tall tales

      A Grimm Sequence
      Composer: Hesketh, Kenneth
      Instrumentation: soprano, mezzo soprano, tenor, baritone and chamber ensemble
      Edition: performance material
      Language: English
    8. Through magic casements

      Through magic casements

      for piano solo
      Composer: Hesketh, Kenneth
      Instrumentation: piano
      Order No.: ED 13393
      €10.00
    9. Bethlehem Down

      Bethlehem Down

      for SATB choir
      Composer: Hesketh, Kenneth
      Instrumentation: mixed choir (SATB)
      Edition: choral score
      Order No.: ED 13398
      €5.99

      Out of stock

    10. What if...? (op[f]er)

      What if...? (op[f]er)

      for piano four hands
      Composer: Hesketh, Kenneth
      Instrumentation: piano (4 hands)
      Edition: performance score
      Order No.: ED 13451
      €11.00

    per page
    News