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Hannah  Lash

Born: November 22nd, 1981
Country of origin: United States of America

Ms. Lash's compact sequence of pale brush strokes, ghostly keening and punchy outbursts was striking and resourceful; you hoped to hear it again... - Steve Smith, The New York Times

Hailed by The New York Times as “striking and resourceful…handsomely brooding,” Hannah Lash’s music has been performed at Carnegie Hall, Los Angeles' Walt Disney Concert Hall, Lincoln Center, the Times Center in Manhattan, the Chicago Art Institute, Tanglewood Music Center, Harvard University, The Aspen Music Festival & School, The Chelsea Art Museum, and on the American Opera Project’s stage in New York City. Commissions include The Fromm Foundation, the Boston Symphony Orchestra, Saint Paul Chamber Orchestra, Carnegie Hall, Chamber Music Northwest, the McKim Fund in the Library of Congress, Cabrillo Festival of Contemporary Music, American Composers Orchestra, Columbia University’s Miller Theatre, The Naumburg Foundation, the Los Angeles Chamber Orchestra, the Arditti Quartet, the Great Lakes Chamber Music Festival, the Colorado Music Festival, and the Aspen Music Festival and School, among many others.

Lash has received numerous honors and prizes, including the ASCAP Morton Gould Young Composer Award, a Charles Ives Scholarship (2011) and Fellowship (2016) from the American Academy of Arts and Letters, a Fromm Foundation Commission, a Chamber Music America Classical Commissioning Grant, a fellowship from Yaddo Artist Colony, the Naumburg Prize in Composition, the Barnard Rogers Prize in Composition, the Bernard and Rose Sernoffsky Prize in Composition, and numerous academic awards. Her orchestral work Furthermore was selected by the American Composers Orchestra for the 2010 Underwood New Music Readings. Her chamber opera, Blood Rose, was presented by New York City Opera’s VOX in the spring of 2011.

The New York Times music critic Steve Smith praised Lash’s work for the JACK Quartet, Frayed: “Ms. Lash’s compact sequence of pale brush strokes, ghostly keening and punchy outbursts was striking and resourceful; you hoped to hear it again…” Esteemed music critic Bruce Hodges lauded Lash’s piece Stalk for solo harp as being “appealing…florid, and introspective.”

In addition to performances of her music in the USA, Lash’s music is also well known internationally. In April of 2008, her string quartet Four Still was performed in Kiev in the Ukraine’s largest international new music festival, “Musical Premieres of the Season,” curated by Carson Cooman. In the summer of 2010, her piece Unclose was premiered by members of Eighth Blackbird at the MusicX festival in Blonay, Switzerland. In 2016, her chamber orchestra work This Ease saw its German premiere and was selected as “audience favorite” in performances by the Philharmonisches Staatsorchester Mainz, conducted by Hermann Bäumer.

Recent premieres include the multi-movement orchestral work The Voynich Symphony by the New Haven Symphony, Form and Postlude for Chamber Music Northwest, a new Requiem for the Yale Choral Artists, How to Remember Seeds for The Calidore String Quartet, Three Shades Without Angles, for flute, viola and harp, by the Boston Symphony Chamber Players, Two Movements for violin and piano, commissioned by the Library of Congress for Ensemble Intercontemporain, and a new chamber opera, Beowulf, for Guerilla Opera, as well as several new orchestral works: Chaconnes, for the New York Philharmonic's Biennial, Eating Flowers, for the Cabrillo Festival of Contemporary Music, Nymphs, for the Alabama Symphony Orchestra, and This Ease, for the Los Angeles Chamber Orchestra, as well as two concerti for harp premiered by the American Composers Orchestra (Concerto No. 1 for Harp and Chamber Orchestra) and the Colorado Music Festival (Concerto No. 2 for Harp and Orchestra), both with Lash as soloist.

Other recent premieres include God Music Bug Music (2011) with the Minnesota Orchestra, the monodrama Stoned Prince (2013) by loadbang, Subtilior Lamento (2012) with the Da Capo Chamber Players at Carnegie Hall, and Glockenliebe (2012), for three glockenspiels, with Talujon Percussion. Her 2011 orchestral work, Hush, was featured on the Los Angeles Philharmonic's 2013 Brooklyn Festival. In 2016, Lash was honored with a Composer Portrait Concert at Columbia University’s Miller Theatre, which included newly commissioned works for pianist Lisa Moore (Six Etudes and a Dream) and loadbang (Music for Eight Lungs). In the 2017-2018 season, Lash's piano concerto is given its premiere performances by Jeremy Denk and the Saint Paul Chamber Orchestra, the Atlantic Classical Orchestra debuts a new orchestral work and tenor Paul Appleby will give the premiere of a new song cycle commissioned by Carnegie Hall. Hannah Lash is currently developing a new chamber opera and a concerto for two harps and orchestra, which will both see premieres in 2019.

1981
Born November 22, 1981 in Alfred, NY
2002
Awarded the Bernard and Rose Sernoffsky Prize from Eastman School of Music
2004
Received Bachelors in Music from Eastman School of Music
2008
Received a Professional Studies Degree in Performance from Cleveland Institute of Music
2010
"Furthermore" selected by the American Composers Orchestra for the 2010 Underwood New Music Readings

Awarded a Fromm Music Foundation Commission for "Filigree in Textile" and the Naumburg Foundation Prize in Composition

Obtained her Ph.D in Composition from Harvard University
2011
New York City Opera's VOX presents Lash's first chamber opera, "Blood Rose"

Awarded the ASCAP Morton Gould Young Composer Award and a Charles Ives Scholarship from the American Academy of Arts and Letters

Minnisota Orchestra premieres "God Music Bug Music", led by Osmo Vänskä, as part of the Minnisota Orchestra Composers Institute
2012
Lash receives Artist Diploma from Yale University

Awarded the ASCAP Morton Gould Young Composer Award
2013
"Hush" featured on the Los Angeles Philharmonic's Brooklyn Festival.

Yale University appoints Lash as Assistant Professor of Composition.

Lash appointed composer-in-residence with Alabama Symphony Orchestra as well as Sound Investment Composer with Los Angeles Chamber Orchestra.
2014
Boston Symphony Chamber Players premiere "Three Shades Without Angles".

Awarded a Chamber Music America Commissioning Grant for "Leander and Hero", for woodwind quintet.

Recipient of an Aaron Copland House Residency Award.

Loadbang releases premiere recording of "Stoned Prince" on ANALOG Arts.

Los Angeles Chamber Orchestra premieres "This Ease", led by Jeffrey Kahane, and Courtney Lewis conducts the Alabama Symphony Orchestra in the debut of "Nymphs".
2015
Awarded a Copland Recording Grant for new album featuring JACK Quartet and Lash (harp), including "Filigree in Textile" on New Focus Records.

"Eating Flowers", for orchestra, premieres at Cabrillo Music Festival, led by Marin Alsop.

American Composers Orchestra premieres "Concerto No. 1 for Harp and Chamber Orchestra", co-commissioned by Carnegie Hall and Orchestra of the Swan, with Lash as soloist and George Manahan conducting.

Lash serves as composer in residence with New Haven Symphony and the orchestra commissions "The Voynich Symphony", a large-scale orchestral work in four parts.
2016
Columbia University's Miller Theatre honors Lash with a Composer Portraits Concert, including new works for pianist Lisa Moore and loadbang, commissioned by Miller Theatre.

Lash's chamber opera "Beowulf" premieres with Guerilla Opera, directed by Andrew Eggert.

Awarded the Charles Ives Fellowship from the American Academy of Arts and Letters.

Colorado Music Festival debuts "Concerto No. 2 for Harp and Chamber Orchestra" with Lash as soloist.

per page
  1. Stalk

    Stalk

    for harp
    Download Edition
    Composer: Lash, Hannah
    Instrumentation: harp
    Order No.: ED 30056 Q42001
    €10.99  *
  2. Friction, Pressure, Impact

    Friction, Pressure, Impact

    for cello and piano
    Composer: Lash, Hannah
    Instrumentation: cello and piano
    Edition: score and part
    Order No.: ED 31215
    €110.00  *
  3. Hush in preparation

    Hush

    for chamber orchestra
    Composer: Lash, Hannah
    Instrumentation: chamber orchestra
    Edition: score
    Order No.: ED 31037
    €61.95  *
  4. Filigree in Textile in preparation

    Filigree in Textile

    for harp and string quartet
    Composer: Lash, Hannah
    Instrumentation: harp and string quartet
    Edition: set of parts
    Order No.: ED 31034-01
    €70.95  *
  5. Three Shades Without Angles

    Three Shades Without Angles

    for flute, viola and harp
    Composer: Lash, Hannah
    Instrumentation: flute, viola and harp
    Edition: score and parts
    Order No.: ED 31217
    €110.00  *
  6. Liebesbrief an Schumann in preparation

    Liebesbrief an Schumann

    for solo piano
    Composer: Lash, Hannah
    Instrumentation: piano
    Order No.: ED 31258
    €23.50  *

    Out of stock

  7. Around in preparation

    Around

    for piano trio
    Composer: Lash, Hannah
    Instrumentation: piano trio
    Edition: score and parts
    Order No.: ED 31265
    €55.00  *

    Out of stock

  8. Glockenliebe in preparation

    Glockenliebe

    for three glockenspiel
    Composer: Lash, Hannah
    Instrumentation: 3 glockenspiel
    Edition: score and parts
    Order No.: ED 31121
    €86.50  *

    Out of stock

  9. Four Still

    Four Still

    for string quartet
    Composer: Lash, Hannah
    Instrumentation: string quartet
    Edition: score and parts
    Order No.: ED 31134
    €58.00  *
  10. Moth Sketches in preparation

    Moth Sketches

    for chamber ensemble
    Composer: Lash, Hannah
    Instrumentation: chamber ensemble
    Edition: score
    Order No.: ED 31161
    €141.50  *

    Out of stock

per page
Profile

Ms. Lash's compact sequence of pale brush strokes, ghostly keening and punchy outbursts was striking and resourceful; you hoped to hear it again... - Steve Smith, The New York Times

Hailed by The New York Times as “striking and resourceful…handsomely brooding,” Hannah Lash’s music has been performed at Carnegie Hall, Los Angeles' Walt Disney Concert Hall, Lincoln Center, the Times Center in Manhattan, the Chicago Art Institute, Tanglewood Music Center, Harvard University, The Aspen Music Festival & School, The Chelsea Art Museum, and on the American Opera Project’s stage in New York City. Commissions include The Fromm Foundation, the Boston Symphony Orchestra, Saint Paul Chamber Orchestra, Carnegie Hall, Chamber Music Northwest, the McKim Fund in the Library of Congress, Cabrillo Festival of Contemporary Music, American Composers Orchestra, Columbia University’s Miller Theatre, The Naumburg Foundation, the Los Angeles Chamber Orchestra, the Arditti Quartet, the Great Lakes Chamber Music Festival, the Colorado Music Festival, and the Aspen Music Festival and School, among many others.

Lash has received numerous honors and prizes, including the ASCAP Morton Gould Young Composer Award, a Charles Ives Scholarship (2011) and Fellowship (2016) from the American Academy of Arts and Letters, a Fromm Foundation Commission, a Chamber Music America Classical Commissioning Grant, a fellowship from Yaddo Artist Colony, the Naumburg Prize in Composition, the Barnard Rogers Prize in Composition, the Bernard and Rose Sernoffsky Prize in Composition, and numerous academic awards. Her orchestral work Furthermore was selected by the American Composers Orchestra for the 2010 Underwood New Music Readings. Her chamber opera, Blood Rose, was presented by New York City Opera’s VOX in the spring of 2011.

The New York Times music critic Steve Smith praised Lash’s work for the JACK Quartet, Frayed: “Ms. Lash’s compact sequence of pale brush strokes, ghostly keening and punchy outbursts was striking and resourceful; you hoped to hear it again…” Esteemed music critic Bruce Hodges lauded Lash’s piece Stalk for solo harp as being “appealing…florid, and introspective.”

In addition to performances of her music in the USA, Lash’s music is also well known internationally. In April of 2008, her string quartet Four Still was performed in Kiev in the Ukraine’s largest international new music festival, “Musical Premieres of the Season,” curated by Carson Cooman. In the summer of 2010, her piece Unclose was premiered by members of Eighth Blackbird at the MusicX festival in Blonay, Switzerland. In 2016, her chamber orchestra work This Ease saw its German premiere and was selected as “audience favorite” in performances by the Philharmonisches Staatsorchester Mainz, conducted by Hermann Bäumer.

Recent premieres include the multi-movement orchestral work The Voynich Symphony by the New Haven Symphony, Form and Postlude for Chamber Music Northwest, a new Requiem for the Yale Choral Artists, How to Remember Seeds for The Calidore String Quartet, Three Shades Without Angles, for flute, viola and harp, by the Boston Symphony Chamber Players, Two Movements for violin and piano, commissioned by the Library of Congress for Ensemble Intercontemporain, and a new chamber opera, Beowulf, for Guerilla Opera, as well as several new orchestral works: Chaconnes, for the New York Philharmonic's Biennial, Eating Flowers, for the Cabrillo Festival of Contemporary Music, Nymphs, for the Alabama Symphony Orchestra, and This Ease, for the Los Angeles Chamber Orchestra, as well as two concerti for harp premiered by the American Composers Orchestra (Concerto No. 1 for Harp and Chamber Orchestra) and the Colorado Music Festival (Concerto No. 2 for Harp and Orchestra), both with Lash as soloist.

Other recent premieres include God Music Bug Music (2011) with the Minnesota Orchestra, the monodrama Stoned Prince (2013) by loadbang, Subtilior Lamento (2012) with the Da Capo Chamber Players at Carnegie Hall, and Glockenliebe (2012), for three glockenspiels, with Talujon Percussion. Her 2011 orchestral work, Hush, was featured on the Los Angeles Philharmonic's 2013 Brooklyn Festival. In 2016, Lash was honored with a Composer Portrait Concert at Columbia University’s Miller Theatre, which included newly commissioned works for pianist Lisa Moore (Six Etudes and a Dream) and loadbang (Music for Eight Lungs). In the 2017-2018 season, Lash's piano concerto is given its premiere performances by Jeremy Denk and the Saint Paul Chamber Orchestra, the Atlantic Classical Orchestra debuts a new orchestral work and tenor Paul Appleby will give the premiere of a new song cycle commissioned by Carnegie Hall. Hannah Lash is currently developing a new chamber opera and a concerto for two harps and orchestra, which will both see premieres in 2019.

Works
Chronology
1981
Born November 22, 1981 in Alfred, NY
2002
Awarded the Bernard and Rose Sernoffsky Prize from Eastman School of Music
2004
Received Bachelors in Music from Eastman School of Music
2008
Received a Professional Studies Degree in Performance from Cleveland Institute of Music
2010
"Furthermore" selected by the American Composers Orchestra for the 2010 Underwood New Music Readings

Awarded a Fromm Music Foundation Commission for "Filigree in Textile" and the Naumburg Foundation Prize in Composition

Obtained her Ph.D in Composition from Harvard University
2011
New York City Opera's VOX presents Lash's first chamber opera, "Blood Rose"

Awarded the ASCAP Morton Gould Young Composer Award and a Charles Ives Scholarship from the American Academy of Arts and Letters

Minnisota Orchestra premieres "God Music Bug Music", led by Osmo Vänskä, as part of the Minnisota Orchestra Composers Institute
2012
Lash receives Artist Diploma from Yale University

Awarded the ASCAP Morton Gould Young Composer Award
2013
"Hush" featured on the Los Angeles Philharmonic's Brooklyn Festival.

Yale University appoints Lash as Assistant Professor of Composition.

Lash appointed composer-in-residence with Alabama Symphony Orchestra as well as Sound Investment Composer with Los Angeles Chamber Orchestra.
2014
Boston Symphony Chamber Players premiere "Three Shades Without Angles".

Awarded a Chamber Music America Commissioning Grant for "Leander and Hero", for woodwind quintet.

Recipient of an Aaron Copland House Residency Award.

Loadbang releases premiere recording of "Stoned Prince" on ANALOG Arts.

Los Angeles Chamber Orchestra premieres "This Ease", led by Jeffrey Kahane, and Courtney Lewis conducts the Alabama Symphony Orchestra in the debut of "Nymphs".
2015
Awarded a Copland Recording Grant for new album featuring JACK Quartet and Lash (harp), including "Filigree in Textile" on New Focus Records.

"Eating Flowers", for orchestra, premieres at Cabrillo Music Festival, led by Marin Alsop.

American Composers Orchestra premieres "Concerto No. 1 for Harp and Chamber Orchestra", co-commissioned by Carnegie Hall and Orchestra of the Swan, with Lash as soloist and George Manahan conducting.

Lash serves as composer in residence with New Haven Symphony and the orchestra commissions "The Voynich Symphony", a large-scale orchestral work in four parts.
2016
Columbia University's Miller Theatre honors Lash with a Composer Portraits Concert, including new works for pianist Lisa Moore and loadbang, commissioned by Miller Theatre.

Lash's chamber opera "Beowulf" premieres with Guerilla Opera, directed by Andrew Eggert.

Awarded the Charles Ives Fellowship from the American Academy of Arts and Letters.

Colorado Music Festival debuts "Concerto No. 2 for Harp and Chamber Orchestra" with Lash as soloist.
Products

per page
  1. Stalk

    Stalk

    for harp
    Download Edition
    Composer: Lash, Hannah
    Instrumentation: harp
    Order No.: ED 30056 Q42001
    €10.99  *
  2. Friction, Pressure, Impact

    Friction, Pressure, Impact

    for cello and piano
    Composer: Lash, Hannah
    Instrumentation: cello and piano
    Edition: score and part
    Order No.: ED 31215
    €110.00  *
  3. Hush in preparation

    Hush

    for chamber orchestra
    Composer: Lash, Hannah
    Instrumentation: chamber orchestra
    Edition: score
    Order No.: ED 31037
    €61.95  *
  4. Filigree in Textile in preparation

    Filigree in Textile

    for harp and string quartet
    Composer: Lash, Hannah
    Instrumentation: harp and string quartet
    Edition: set of parts
    Order No.: ED 31034-01
    €70.95  *
  5. Three Shades Without Angles

    Three Shades Without Angles

    for flute, viola and harp
    Composer: Lash, Hannah
    Instrumentation: flute, viola and harp
    Edition: score and parts
    Order No.: ED 31217
    €110.00  *
  6. Liebesbrief an Schumann in preparation

    Liebesbrief an Schumann

    for solo piano
    Composer: Lash, Hannah
    Instrumentation: piano
    Order No.: ED 31258
    €23.50  *

    Out of stock

  7. Around in preparation

    Around

    for piano trio
    Composer: Lash, Hannah
    Instrumentation: piano trio
    Edition: score and parts
    Order No.: ED 31265
    €55.00  *

    Out of stock

  8. Glockenliebe in preparation

    Glockenliebe

    for three glockenspiel
    Composer: Lash, Hannah
    Instrumentation: 3 glockenspiel
    Edition: score and parts
    Order No.: ED 31121
    €86.50  *

    Out of stock

  9. Four Still

    Four Still

    for string quartet
    Composer: Lash, Hannah
    Instrumentation: string quartet
    Edition: score and parts
    Order No.: ED 31134
    €58.00  *
  10. Moth Sketches in preparation

    Moth Sketches

    for chamber ensemble
    Composer: Lash, Hannah
    Instrumentation: chamber ensemble
    Edition: score
    Order No.: ED 31161
    €141.50  *

    Out of stock

per page
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