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"Après un silence" was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.'
This will become a regular presence in the violin and piano repertoire.
This will become a regular presence in the violin and piano repertoire.
| Binding: | Saddle stitching |
|---|---|
| Difficulty: | difficult |
| ISMN: | 979-0-2201-1987-3 |
| Performance duration: | 18'0" |
| Publisher: | Schott Music Ltd., London |
| Uraufführung : | 21. Februar 1999 Dublin, Hugh Lane Municipal Gallery (IRL) · Lesley Hatfield, Violine; Bill Lloyd, Klavier |
| Year of composition: | 1998 |
| page number: | 45 |
2007-12-04
|
Cardiff (United Kingdom), University Concert Hall, Cardiff University — 19.30 h
"Après un silence" was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.'
This will become a regular presence in the violin and piano repertoire.
This will become a regular presence in the violin and piano repertoire.
| Binding: | Saddle stitching |
|---|---|
| Difficulty: | difficult |
| ISMN: | 979-0-2201-1987-3 |
| Performance duration: | 18'0" |
| Publisher: | Schott Music Ltd., London |
| Uraufführung : | 21. Februar 1999 Dublin, Hugh Lane Municipal Gallery (IRL) · Lesley Hatfield, Violine; Bill Lloyd, Klavier |
| Year of composition: | 1998 |
| page number: | 45 |
2007-12-04
|
Cardiff (United Kingdom), University Concert Hall, Cardiff University — 19.30 h
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