Pieces for Beginners
Daniel Gottlob Türk
• very easy pieces
• part of the Schott Student Edition series
• pieces ordered in terms of difficulty
After composing his piano method, the piano teacher Daniel Gottlieb Türk, a contemporary of Haydn and Mozart, composed a large collection of little “Handstücke”, or instructive pieces, for beginners. This volume contains the easiest of these pieces, ordered so that they constitute a little course which gradually introduces all keys of up to three accidentals, increasing independence of the hands, different ways of playing and various rhythms.
This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
• for advanced players
• contemporary composition
• jazz music in a classical style
Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms
The Sonata Op. 125 for flute and piano was written in 2004 at the request of Immanuel Davis, flute professor at the University of Minnesota. This is a difficult piece, about 20 minutes in length.
from the “Fantazias and In Nomines” for Strings
• Arrangement for 4 Guitars
• for intermediate to advanced players
• based on the original manuscript score
• includes score and parts
Fantasias were the height of musical sophistication in England in 1600s. Henry Purcell originally composed the two fantasias Z. 713 and Z. 743 for strings. Characterized by surprising modulations, their harmony shows them to be ahead of their time. The present arrangement for 4 guitars is based on the autograph manuscript of the composer. It is ideal for performances at upper music-school classes and young musician competitions.
Leshana Haba’a BiYerushalayim
“Next Year in Jerusalem!”
• Hebrew Folk Song
• arranged for two soloists and SSA choir
• for intermediate to advanced choirs
This folk song arrangement expresses the Jewish diaspora’s community’s hope for reunion “next year in Jerusalem.” It is comprised of two distinct sections: a newly-composed, sorrowful theme, expressive of unrequited longing, and the traditional folk song itself, lively with excitement and hope.
This piece was commissioned by the 2011 ACDA Women’s Choir R & S Commissioning Consortium, Iris S. Levine, National Choir and is arranged for two soloists and a soprano and alto voice choir.
• commissioned by the Philadelphia Gay Men’s Chorus
• for two tenor voices, and two bass voices
• for advanced choirs
Commissioned by the Philadelphia Gay Men’s Chorus, this pieces explores the notion of family in an LGBT context.
The text is taken from live interviews, and explores the creation of families that have not previously been accepted legally or by society more broadly. It takes as its thesis the idea that love is the only thing that can establish a family and that love is what binds us all.
The piece is for two tenor voices, two bass voices, piano and percussion. It is suitable for advanced singers/players and lasts approximately 16 minutes.
Sonata No. 12
• technically very demanding
• composed in 2001
• jazz infused modern style
Classical virtuoso jazz: Nikolai Kapustin (born 1937) is an excellent jazz pianist, arranger and composer. His piano sonatas are released for the first time by Schott Music.
The 12th Sonata from 2001 is technically very demanding. The two-movement work has already been recorded on CD by the composer himself and Carlo Levi Minzi. This is ideal for pianists who are looking for works between modern and jazz that sound like highly skilled but well-composed improvisation.
Sonata for Two Pianos and Percussion
Facsimile of the Draft Score and Paul Sacher’s Annotated Full Score Copy
• contains the draft score
• contains introductory essays
• includes CD with recordings of Bartok and the full piece
Béla Bartók’s Sonata for Two Pianos and Percussion, composed in summer 1937 on a commission from Paul Sacher and premièred in Basel in January 1938, is incontestably one of the supreme creations of modern music.
This publication, with introductory essays by Felix Meyer, Robert W. Wason, Lászlo Vikárius, and Wolfgang Rathert, presents two major handwritten sources for this work from the holdings of the Paul Sacher Foundation: the draft score, which offers a fascinating glimpse into the sonata’s genesis, and a “whiteprint” of the fair copy, which contains additions from Bartók and differs substantially from the definitive version at the end of the development section in movement 1.
The volume also contains, on an enclosed CD, the radio recording of 1940, with Bartók and his wife Ditta Pásztory on the piano parts, as well as a new recording of the sonata in its “original” form, played by the Bugallo-Williams Piano Duo with percussionists Matthias Würsch and Christian Dierstein. In writing and sound, the volume leads readers to a closer acquaintance with Bartók’s masterpiece and invites them to deepen their understanding of his compositional method, his revisions of the musical text, and his pianistic artistry.
No Words Necessary
12 Pieces for Intermediate Level
• easy to intermediate
• original piano pieces
• suitable for lessons and concerts
A collection of 12 original piano pieces of intermediate difficulty that are easy to learn and great fun to play.
This selection includes beautiful melodies and inspiring harmonies which will paint vivid pictures in the players mind.
Suitable for both young and adult pianists and perfect for lessons and concerts!
Piano Playground 2
25 Playful Piano Pieces for Lessons and Concerts
• Easy pop pieces for piano
• Great motivation for children
• Playable from the 1st and 2nd year of learning
Had enough of “Für Elise”? Want something more fun to motivate your pupils?
In Piano Playground successful author Hans-Günter Heumann brings together new original piano pieces that can be learned quickly and cover a wide stylistic range to motivate and inspire children while having fun!
Pieces like The Pirate Ship, Rock Rocket or Hello, Mr. Mozart stimulate the imagination and motivate kids to discover the new repertoire. The book is an ideal complement to any piano lesson.
While Volume 1 (ED 22980) contains very easy pieces, some of which can be learned quickly in the first year of lessons, Volume 2 gets a little harder. But it’s still easy enough that children do not lose their motivation and gain a real sense of achievement early on in their learning
10 crossover appetizers for solo guitar
• for classical or steel-string guitar
• for intermediate players
• contains standard notation and tablature
Thomas Fellow, author of the successful standard work Fellow Guitar Book and world-leading guitarist (European Guitar Quartet, Friend ‘n Fellow, Hands on Strings), adds another original twist to his Guitar Music Collection.
This book of 10 crossover appetisers now addresses interested students as well as ambitious advanced players. The pieces are at an intermediate level and benefit from the additional tablature notation which opens up this repertoire to those who cannot read standard music notation.
FINGERFOOD LIGHT includes percussive catchy tunes as well as sonorous ballads, and also contains pieces inspired by Piazzolla and movie soundtracks.
Many of the 10 pieces in this book are suitable for classical guitar as well as steel string guitar.