On 21 March, the world premiere of Thierry Pécou’s most recent opera Until the Lions would have been given in Strasbourg at the Opéra National du Rhin. Even though the rehearsals have now been stopped and the premiere been postponed until one of the following seasons due to the COVID-19 crisis, we would nevertheless like to introduce the piece: Marie Jacquot conducts the Orchestre Symphonique de Mulhouse in a production directed and choreographed by Shobana Jeyasingh.
On 15 March, Joseph Haas’ comic opera Die Hochzeit des Jobs returns to the stage for first time in 60 years. The new production will open at the theatre Eduard-won-Winterstein in Annaberg-Buchholz conducted by Naoshi Takahashi. Continue reading “Work of the Week – Joseph Haas: Die Hochzeit des Jobs”
On 8 March, Cologne Opera will perform Johannes Hanke’s children’s opera, The Devil with the Three Golden Hairs. Written between 2011 and 2012 on commission from Staatsoper Hannover, Hanke’s opera has since been performed in Dresden Basel and Munich. This most recent production will be conducted by Rainer Mühlbach.
On 28 February, Pierre Jalbert’s Ephemeral Objects for cello and piano will receive its world premiere at Middlebury College, Vermont. The new work, which was commissioned by Middlebury Performing Arts Series in celebration of its 100th Anniversary, will be performed by cellist David Finckel and pianist Wu Han. Continue reading “Work of the Week – Pierre Jalbert: Ephemeral Objects”
Christian Jost’s opera Egmont premieres at Theater an der Wien on 17 February conducted by Michael Boder. The work was commissioned by the theatre for 2020 in celebration of Beethoven’s 250 Anniversary. Keith Warner has created the production for the premiere. Continue reading “Work of the Week – Christian Jost: Egmont”
On 12 February, Pascal Rophé will direct the Orchestre National de Radio France and soloist Alban Gerhardt in the world premiere of Julian Anderson’s Litanies for cello and orchestra as part of the annual Festival Présences. Continue reading “Work of the Week – Julian Anderson: Litanies”
On 3 February, the world premiere staging of Gerald Barry’s opera Alice’s Adventures Under Ground opens on the main stage of the Royal Opera House, Covent Garden conducted by Thomas Adès and directed by Antony McDonald. Composed between 2013-15 on a joint commission from the Los Angeles Philharmonic, Barbican Centre in London, and Britten Sinfonia.
On 1 February, in celebration of the Beethoven’s 250 Anniversary in 2020, the Sibelius Academy Orchestra conducted by Sakari Oramo will perform Rodion Shchedrin’s Beethovens Heiligenstädter Testament. The concert, which will conclude the Sibafest in Helsinki, will also feature music by Kaija Saariaho and Mahler. Continue reading “Work of the Week – Rodion Shchedrin: Beethovens Heiligenstädter Testament”
On 21 January 2020, Erich Wolfgang Korngold’s opera Violanta will be performed for the first time in Italy. The production will take place at the Tearto Regio, Torino conducted by Pinchas Steinberg. Continue reading “Work of the Week – Erich Wolfgang Korngold: Violanta”
On 22 December, Antwerp Cathedral Choir will perform The Fruit of Silence by composer Pēteris Vasks in the splendid setting of Antwerp’s Cathedral of Our Lady. The work, which exists in multiple versions for different instrumentations, will be performed in its version for choir and string orchestra. Continue reading “Work in Focus – Pēteris Vasks: The Fruit of Silence”